Khác biệt giữa các bản “Nguyễn Linh Ngọc”

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Cũng từ khi cô làm việc cho hãng phim Liên Hoa. Những vai diễn đáng chú ý lần lượt xuất hiện sau năm 1931, mở đầu là bộ phim ''[[Tình và Nghĩa vụ]]'' ({{lang|zh-hant|戀愛與義務}}, 1931) (đạo diễn [[Bốc Vạn Thương]]). Beginning with ''Three Modern Women'' ({{lang|zh-hant|三个摩登女性}}, 1932; dir: Bu Wanchang), Ruan started collaborating with a group of talented leftist directors; most of her subsequent films have a strong socialist slant to them. In ''Little Toys'' ({{lang|zh-hant|小玩意}}, 1933), a film by [[Sun Yu (director)|Sun Yu]], Ruan played a long-suffering toy-maker. Her next film, ''[[The Goddess (1934 film)|Shennü]]'' ({{lang|zh-hant|神女}}, ''The Goddess'', 1934; dir: [[Wu Yonggang]]), is often hailed as the pinnacle of Chinese silent cinema, with Ruan's portrayal of a sympathetic [[prostitute]] bringing up a child one of the classics of the era. Later that year, Ruan made her penultimate film, ''[[New Women]]'' ({{lang|zh-hant|新女性}}), with director [[Cai Chusheng]], where she played an educated [[Shanghai]] woman forced to death by an unfeeling society. A final film, ''[[National Custom]]'' ({{lang|zh-hant|國風}}) was released shortly after her death.
 
== Danh sách phim đã tham gia ==
==Selected filmography==
*''[[The Couple in Name]]'' ({{lang|zh-hant|掛名的夫妻}}, 1927)
*''[[The White Cloud Pagoda]]'' ({{lang|zh-hant|白雲塔}}, 1928)
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