Khác biệt giữa bản sửa đổi của “Nhịp”
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←Trang mới: “'''Nhịp''', theo nghĩa chung, là sự chuyển động được đánh dấu bằng sự tiếp nối có quy luật của những yếu tố mạnh và yếu…” |
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'''Nhịp''', theo nghĩa chung, là sự chuyển động được đánh dấu bằng sự tiếp nối có quy luật của những yếu tố mạnh và yếu, hoặc của những điều kiện trái ngược hay khác nhau. Nhịp trong các [[nghệ thuật trình diễn]] là cách đánh dấu thời gian theo thang đo con người; của âm nhạc và sự yên lặng, của các bước nhảy, của ngôn ngữ nói và thơ ca.
==Tham khảo==
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* {{wikicite|ref={{harvid|Lester|1986}}|reference=Lester, Joel. ''The Rhythms of Tonal Music''. Hillsdale, NY: Pendragon Press, 1986. ISBN 978-0-8093-1282-5.}}
* {{wikicite|ref={{harvid|Liddell and Scott|1996}}|reference=Liddell, Henry George, and Robert Scott. "[http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3Dr%28uqmo%2Fs ῥυθμός]", in ''A Greek-English Lexicon'', revised edition, combining the text of the ninth edition with an extensively revised and expanded Supplement. Oxford and New York: Oxford University Press, 1996. Online, Perseus Project}}
* {{wikicite|ref={{harvid|London|2004}}|reference=London, Justin (2004). ''Hearing in Time: Psychological Aspects of Musical Meter''. Oxford and New York: Oxford University Press. ISBN 0-19-516081-9.}}
* {{wikicite|ref={{harvid|MacPherson|1930}}|reference=MacPherson, Stewart, ''Form in Music'', London: Joseph Williams, 1930.}}
* {{wikicite|ref={{harvid|Middleton|1990}}|reference=Middleton, Richard (1990). ''Studying Popular Music''. Philadelphia: Open University Press. ISBN 0-335-15275-9.}}
* {{wikicite|ref={{harvid|Mithen|2005}}|reference={{cite book |last=Mithen| first=Steven|authorlink=Steven Mithen| year= 2005|title= The Singing Neanderthals: The Origins of Music, Language, Mind and Body. |publisher=London: Weidenfeld & Nicolson.|
isbn=0-297-64317-7|url=http://www.epjournal.net/filestore/ep03375380.pdf}}}}
* {{wikicite|ref={{harvid|Moravcsik|2002}}|reference=Moravcsik, Michael J. (2002). ''Musical Sound: An Introduction to the Physics of Music''. New York: Kluwer Academic/Plenum Publishers. ISBN 978-0-306-46710-3.}}
* {{wikicite|ref={{harvid|Narmour|1977}}|reference=Narmour, Eugene. ''Beyond Schenkerism: The Need for Alternatives in Music Analysis''. Chicago and London: University of Chicago Press, 1977. Phoenix paperback edition 1980. ISBN 978-0-226-56847-8 (cloth); ISBN 978-0-226-56848-5 (paperback).}}
* {{cite journal |last=Patel |first=Aniruddh D. |year=2006 |title=Musical Rhythm, Linguistic Rhythm, and Human Evolution |journal=Music Perception |location=Berkeley, California |publisher =University of California Press|volume=1 |issue=24 |pages=99–104 |issn=0730-7829 |ref=harv}}
* {{wikicite|ref={{harvid|Patel|2014}}|reference={{cite journal|last=Patel|first=Aniruddh D.|title=The Evolutionary Biology of Musical Rhythm: Was Darwin Wrong?|journal=PLoS Biol|date=2014|volume=12|issue=3 (25 March )|doi=10.1371/journal.pbio.1001821}}}}
* {{cite book|last=Percival|first=Harold W.|year=1946|title=Thinking and Destiny|publisher=The Word Foundation, Inc.|isbn=978-0-911650-06-8|ref=harv}}
* {{wikicite|ref={{harvid|Pieslak|2009}}|reference=Pieslak, Jonathan (2009). ''Sound Targets: American Soldiers and Music in the Iraq War''. Bloomington and London: Indiana University Press.}}
* {{wikicite|ref={{harvid|Roads|2001}}|reference=Roads, Curtis (2001). ''Microsound''. Cambridge, MA: MIT Press. ISBN 978-0-262-18215-7; ISBN 978-0-262-68154-4}}
* {{wikicite|ref={{harvid|Rothstein|1989}}|reference=Rothstein, William (1989). ''Phrase Rhythm in Tonal Music''. New York: Schirmer Books. ISBN 9780028721910.}}
* {{cite book|last=Sacks|first=Oliver|authorlink=Oliver Sacks|title=Musicophilia, Tales of Music and the Brain|year=2007|publisher=Alfred A. Knopf|location=New York and Toronto|isbn=978-1-4000-4081-0|chapter=Keeping Time: Rhythm and Movement|ref=harv}}{{Page needed|date=July 2014}}<!--The inclusive page numbers of this chapter are needed.-->
* {{wikicite|ref={{harvid|Sandow|2004}}|reference=Sandow, Greg (2004). "A Fine Madness". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 253–58. ISBN 1-58046-143-3. Reprinted from ''The Village Voice'' (16 March 1982).}}
* {{wikicite|ref={{harvid|Scholes|1977a}}|reference=Scholes, Percy (1977a). "Form", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. ISBN 0-19-311306-6.}}
* {{wikicite|ref={{harvid|Scholes|1977b}}|reference=Scholes, Percy (1977b). "Metre", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. ISBN 0-19-311306-6.}}
* {{wikicite|ref={{harvid|Scholes|1977c}}|reference=Scholes, Percy (1977c). "Rhythm", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. ISBN 0-19-311306-6.}}
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* {{wikicite|ref={{harvid|Toussaint|2005}}|reference=Toussaint, Godfried T., “The Geometry of Musical Rhythm,” In J. Akiyama, M. Kano, and X. Tan, editors, ''Proceedings of the Japan Conference on Discrete and Computational Geometry'', Vol. 3742, Lecture Notes in Computer Science, Springer, Berlin/Heidelberg, 2005, pp. 198–212.}}
* {{wikicite|ref={{harvid|White|1976}}|reference=White, John D. (1976). ''The Analysis of Music''. Englewood Cliffs, NJ: Prentice-Hall. ISBN 0-13-033233-X.}}
* {{wikicite|ref={{harvid|Winold|1975}}|reference=Winold, Allen (1975). "Rhythm in Twentieth-Century Music". In ''Aspects of Twentieth-Century Music'', edited by Gary Wittlich, Chapter 3. Englewood Cliffs, New Jersey: Prentice-Hall. ISBN 0-13-049346-5.}}{{Page needed|date=July 2014}}<!--Inclusive page numbers of Winold's article should be substituted for "Chapter 3".-->
* {{wikicite|ref={{harvid|Woodrow|1951}}|reference=Woodrow, Herbert. "Time Perception". In ''A Handbook of Experimental Psychology'', edited by Stanley Smith Stevens,{{Page needed|date=July 2014}}. New York: Wiley, 1951.}}
* {{wikicite|ref={{harvid|Yeston|1976}}|reference=Yeston, Maury. 1976. ''The Stratification of Musical Rhythm''. New Haven and London: Yale University Press. ISBN 0-300-01884-3.}}
==Đọc thêm==
* Honing, H. (2002). [http://www.hum.uva.nl/mmm/abstracts/mmm-TvM.html "Structure and interpretation of rhythm and timing."] ''Tijdschrift voor Muziektheorie [Dutch Journal of Music Theory]'' '''7'''(3): 227–232.
* Humble, M. (2002). [http://www.scribd.com/doc/25227226/The-Development-of-Rhythmic-Organization-in-Indian-Classical-Music The Development of Rhythmic Organization in Indian Classical Music], MA dissertation, School of Oriental and African Studies, University of London.
* Lewis, Andrew (2005). ''Rhythm—What it is and How to Improve Your Sense of It''. San Francisco: [http://rhythmsource.com/dev/books/ RhythmSource] Press. ISBN 978-0-9754667-0-4.
* Williams, C. F. A., ''The Aristoxenian Theory of Musical Rhythm'', (Cambridge Library Collection—Music), Cambridge University Press; first edition, 2009.
==Liên kết ngoài==
{{Wiktionary}}
*[https://archive.org/stream/rhythmofproseexp00pattiala/rhythmofproseexp00pattiala_djvu.txt 'Rhythm of Prose', William Morrison Patterson ,Columbia University Press 1917]
* [http://www.melodyhound.com/query_by_tapping.0.html Melodyhound has a "Query by Tapping" search that allows users to identify music based on rhythm]
* [http://www.signosemio.com/semiotics-of-rhythm.asp Louis Hébert, "A Little Semiotics of Rhythm. Elements of Rhythmology", in ''Signo'']
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