Khác biệt giữa các bản “Sân khấu”

(dịch từ enwiki)
== Chú thích ==
{{Tham khảo|2}}
== Nguồn ==
* Aston, Elaine, and George Savona. 1991. ''Theatre as Sign-System: A Semiotics of Text and Performance''. London and New York: Routledge. ISBN 978-0-415-04932-0.
* Banham, Martin, ed. 1998. ''The Cambridge Guide to Theatre.'' Cambridge: Cambridge UP. ISBN 0-521-43437-8.
* Beacham, Richard C. 1996. ''The Roman Theatre and Its Audience.'' Cambridge, MA: Harvard UP. ISBN 978-0-674-77914-3.
* Benedetti, Jean. 1999. ''Stanislavski: His Life and Art''. Revised edition. Original edition published in 1988. London: Methuen. ISBN 0-413-52520-1.
* ---. 2005. ''The Art of the Actor: The Essential History of Acting, From Classical Times to the Present Day.'' London: Methuen. ISBN 0-413-77336-1.
* ---. 2008. "Stanislavski on Stage". In Dacre and Fryer (2008, 6–9).
* [[Walter Benjamin|Benjamin, Walter]]. 1928. ''The Origin of German Tragic Drama.'' Trans. John Osborne. London and New York: Verso, 1998. ISBN 1-85984-899-0.
* Brown, John Russell. 1997. ''What is Theatre?: An Introduction and Exploration.'' Boston and Oxford: Focal P. ISBN 978-0-240-80232-9 .
* Brandon, James R., ed. 1997. ''The Cambridge Guide to Asian Theatre.''' 2nd, rev. ed. Cambridge: Cambridge UP. ISBN 978-0-521-58822-5.
* Burt, Daniel S. 2008. ''The Drama 100: A Ranking of the Greatest Plays of All Time.'' New York: Facts on File. ISBN 978-0-8160-6073-3.
* Carlson, Marvin. 1993. ''Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present.'' Expanded ed. Ithaca and London: Cornell UP. ISBN 0-8014-8154-6.
* Carnicke, Sharon M. 1998. ''Stanislavsky in Focus''. Russian Theatre Archive Ser. London: Harwood Academic Publishers. ISBN 90-5755-070-9.
* ---. 2000. "Stanislavsky's System: Pathways for the Actor". In Hodge (2000, 11–36).
* Counsell, Colin. 1996. ''Signs of Performance: An Introduction to Twentieth-Century Theatre.'' London and New York: Routledge. ISBN 978-0-415-10643-6.
* Dacre, Kathy, and Paul Fryer, eds. 2008. ''Stanislavski on Stage.'' Sidcup, Kent: Stanislavski Centre Rose Bruford College. ISBN 1-903454-01-8.
* Deal, William E. 2007. ''Handbook to Life in Medieval and Early Modern Japan.'' Oxford: Oxford UP. ISBN 978-0-19-533126-4.
* [[Gilles Deleuze|Deleuze, Gilles]] and [[Félix Guattari]]. 1972. ''[[Anti-Œdipus]]''. Trans. Robert Hurley, Mark Seem and Helen R. Lane. London and New York: Continuum, 2004. Vol. 1 . New Accents Ser. London and New York: Methuen. ISBN 0-416-72060-9.
* Dukore, Bernard F., ed. 1974. ''Dramatic Theory and Criticism: Greeks to Grotowski''. Florence, KY: Heinle & Heinle. ISBN 978-0-03-091152-1.
* Elam, Keir. 1980. ''The Semiotics of Theatre and Drama''. New Accents Ser. London and New York: Routledge. ISBN 978-0-415-03984-0.
* Felski, Rita, ed. 2008. ''Rethinking Tragedy.'' Baltimore: Johns Hopkins UP. ISBN 0-8018-8740-2.
* [[Francis Fergusson|Fergusson, Francis]]. 1949. ''The Idea of a Theater: A Study of Ten Plays, The Art of Drama in a Changing Perspective.'' Princeton, NJ: Princeton UP, 1968. ISBN 0-691-01288-1.
* Gauss, Rebecca B. 1999. ''Lear's Daughters: The Studios of the Moscow Art Theatre 1905–1927''. American University Studies ser. 26 Theatre Arts, vol. 29. New York: Peter Lang. ISBN 978-0-8204-4155-9.
* Gordon, Mel. 1983. ''[[Lazzi]]: The Comic Routines of the Commedia dell'Arte''. New York: Performing Arts Journal. ISBN 0-933826-69-9.
* Gordon, Robert. 2006. ''The Purpose of Playing: Modern Acting Theories in Perspective.'' Ann Arbor: U of Michigan P. ISBN 978-0-472-06887-6.
* Harrison, Martin. 1998. ''The Language of Theatre''. London: Routledge. ISBN 978-1-85754-374-2.
* [[Phyllis Hartnoll|Hartnoll, Phyllis]], ed. 1983. ''The Oxford Companion to the Theatre''. 4th ed. Oxford: Oxford UP. ISBN 978-0-19-211546-1.
* Hodge, Alison, ed. 2000. ''Twentieth-Century Actor Training''. London and New York: Routledge. ISBN 978-0-415-19452-5.
* Janko, Richard, trans. 1987. ''Poetics with Tractatus Coislinianus, Reconstruction of Poetics II and the Fragments of the On Poets.'' By [[Aristotle]]. Cambridge: Hackett. ISBN 978-0-87220-033-3.
* [[Keith Johnstone|Johnstone, Keith]]. 1981. ''Impro: Improvisation and the Theatre'' Rev. ed. London: Methuen, 2007. ISBN 0-7136-8701-0.
* Jones, John Bush. 2003. ''Our Musicals, Ourselves: A Social History of the American Musical Theatre.'' Hanover: Brandeis UP. ISBN 1-58465-311-6.
* Kuritz, Paul. 1988. ''The Making of Theatre History.'' Englewood Cliffs, NJ: Prentice Hall. ISBN 978-0-13-547861-5.
* Leach, Robert. 1989. ''Vsevolod Meyerhold''. Directors in perspective ser. Cambridge: Cambridge UP. ISBN 978-0-521-31843-3.
* ---. 2004. ''Makers of Modern Theatre: An Introduction''. London: Routledge. ISBN 978-0-415-31241-7.
* Leach, Robert, and Victor Borovsky, eds. 1999. ''A History of Russian Theatre.'' Cambridge: Cambridge UP. ISBN 978-0-521-03435-7.
* Meyer-Dinkgräfe, Daniel. 2001. ''Approaches to Acting: Past and Present.'' London and New York: Continuum. ISBN 978-0-8264-7879-5.
* [[Vsevolod Meyerhold|Meyerhold, Vsevolod]]. 1991. ''Meyerhold on Theatre''. Ed. and trans. Edward Braun. Revised edition. London: Methuen. ISBN 978-0-413-38790-5.
* Milling, Jane, and Graham Ley. 2001. ''Modern Theories of Performance: From Stanislavski to Boal''. Basingstoke, Hampshire and New York: Palgrave. ISBN 978-0-333-77542-4.
* Mitter, Shomit. 1992. ''Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook.'' London and NY: Routledge. ISBN 978-0-415-06784-3.
* Moreh, Shmuel. 1986. "Live Theater in Medieval Islam." In ''Studies in Islamic History and Civilization in Honour of Professor David Ayalon.'' Ed. [[Moshe Sharon]]. Cana, Leiden: Brill. 565–601. ISBN 978-965-264-014-7.
* O'Brien, Nick. 2010. ''Stanislavski In Practise''. London: Routledge. ISBN 978-0415568432.
* [[Patrice Pavis|Pavis, Patrice]]. 1998. ''Dictionary of the Theatre: Terms, Concepts, and Analysis.'' Trans. Christine Shantz. Toronto and Buffalo: U of Toronto P. ISBN 978-0-8020-8163-6.
* Peterson, Richard A. 1982. "Five Constraints on the Production of Culture: Law, Technology, Market, Organizational Structure and Occupational Careers." ''The Journal of Popular Culture'' 16.2: 143–153.
* Pfister, Manfred. 1977. ''The Theory and Analysis of Drama''. Trans. John Halliday. European Studies in English Literature Ser. Cambridige: Cambridge University Press, 1988. ISBN 978-0-521-42383-0.
* Rayner, Alice. 1994. ''To Act, To Do, To Perform: Drama and the Phenomenology of Action.'' Theater: Theory/Text/Performance Ser. Ann Arbor: University of Michigan Press. ISBN 978-0-472-10537-3.
* [[Rush Rehm|Rehm, Rush]]. 1992. ''Greek Tragic Theatre.'' Theatre Production Studies ser. London and New York: Routledge. ISBN 0-415-11894-8.
* Richmond, Farley. 1998. "India." In Banham (1998, 516–525).
* Richmond, Farley P., Darius L. Swann, and Phillip B. Zarrilli, eds. 1993. ''Indian Theatre: Traditions of Performance.'' U of Hawaii P. ISBN 978-0-8248-1322-2.
* Roach, Joseph R. 1985. ''The Player's Passion: Studies in the Science of Acting''. Theater:Theory/Text/Performance Ser. Ann Arbor: U of Michigan P. ISBN 978-0-472-08244-5.
* Speirs, Ronald, trans. 1999. ''The Birth of Tragedy and Other Writings.'' By [[Friedrich Nietzsche]]. Ed. Raymond Geuss and Ronald Speirs. Cambridge Texts in the History of Philosophy ser. Cambridge: Cambridge UP. ISBN 0-521-63987-5.
* [[Viola Spolin|Spolin, Viola]]. 1967. ''Improvisation for the Theater''. Third rev. ed Evanston, Il.: Northwestern University Press, 1999. ISBN 0-8101-4008-X.
* Taxidou, Olga. 2004. ''Tragedy, Modernity and Mourning''. Edinburgh: Edinburgh UP. ISBN 0-7486-1987-9.
* Ward, A. C. 1945. ''Specimens of English Dramatic Criticism XVII-XX Centuries.'' The World's Classics ser. Oxford: Oxford UP, 2007. ISBN 978-1-4086-3115-7.
* [[Raymond Williams|Williams, Raymond]]. 1966. ''Modern Tragedy''. London: Chatto & Windus. ISBN 0-7011-1260-3.
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