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Dòng 99:
In 1970, Wayne won a Golden Globe Award for his performance in "True Grit".
 
==Danh mục phim chọn lọc==
* [[1926 au cinéma|1926]] : ''[[Bardelys le magnifique]] (Bardelys the Magnificent)'', de [[King Vidor]], cascadeur
;Key to Studio abbreviations
* [[1927 au cinéma|1927]] : ''[[The drop Kick]]'' de [[William Webb]]
{| width="100%" style="text-align:left"
* [[1928 au cinéma|1928]] : ''[[L'Arche de Noé (film, 1928)|L'Arche de Noé]]'' ''(Noah's Ark)'' de [[Michael Curtiz]] (non crédité)
! width="50" | 20th
* [[1928 au cinéma|1928]] : ''[[Maman de mon cœur]]'' (''Mother Machree'') de [[John Ford]]
| width="180" | [[20th Century-Fox]]
* [[1928 au cinéma|1928]] : ''[[La Maison du bourreau]]'' (''Hangman's house'') de [[John Ford]]
! width="50" | AFI
* [[1928 au cinéma|1928]] : ''[[Les Quatre Fils]]'' (''Four Sons'') de [[John Ford]]
| width="180" | [[American Film Institute]]
* [[1929 au cinéma|1929]] : ''[[Speakeasy (1929)|Speakeasy]]'' de [[Benjamin Stoloff]]
! width="50" | AK
* [[1929 au cinéma|1929]] : ''[[Words and music]]'' de [[James Tinling]]
| Alaska Pictures
* [[1929 au cinéma|1929]] : ''[[Salute]]'' de [[John Ford]] et [[David Butler (réalisateur)|David Butler]]
|-
* [[1930 au cinéma|1930]] : ''[[Born Reckless]]'' de [[John Ford]]
! Arg
* [[1930 au cinéma|1930]] : ''[[La Piste des géants]]'' (''The Big Trail'') de [[Raoul Walsh]]
| Argosy
* [[1930 au cinéma|1930]] : ''[[Cheer up and smile]]'' de [[Sidney Lanfield]]
! Arm
* [[1930 au cinéma|1930]] : ''[[Hommes sans femmes]]'' (''Men without women'') de [[John Ford]]
| Armada Productions
* [[1930 au cinéma|1930]] : ''[[Rough romance]]'' d'[[A.F.Erickson]]
! Batjac
* [[1931 au cinéma|1931]] : ''[[Maker of men]]'' d'[[Edward Sedgwick]]
| [[Batjac]]
* [[1931 au cinéma|1931]] : ''[[Men are like that]]'' de [[George Brackett Seitz]]
|-
* [[1931 au cinéma|1931]] : ''[[Girls demand excitement]]'' de [[Seymour Felix]]
! Col
* [[1931 au cinéma|1931]] : ''[[Three girls lost]]'' de [[Sidney Lanfield]]
| [[Columbia Pictures|Columbia]]
* [[1931 au cinéma|1931]] : ''[[Range Freud]]'' de [[D. Ross Lederman]]
! CVW
* [[1932 au cinéma|1932]] : ''[[The big stampede]]'' de [[Tenny Wright]]
| C.V. Whitney
* [[1932 au cinéma|1932]] : ''[[Haunted gold]]'' de [[Mack V. Wright]]
! DDL
* [[1932 au cinéma|1932]] : ''[[Hurricane express]]'' d'[[Armand Schaefer]], [[J. P. McGowan]]
| [[Dino De Laurentiis]]
* [[1932 au cinéma|1932]] : ''[[Lady and gent]]'' de [[Stephen Roberts]]
|-
* [[1932 au cinéma|1932]] : ''[[Ride him,cowboy]]'' de [[Fred Allen (cinéma)|Fred Allen]]
! Fen
* [[1932 au cinéma|1932]] : ''[[Shadow of the eagle]]'' de [[Ford L. Beebe]]
| Fenady Associates
* [[1932 au cinéma|1932]] : ''[[Texas cyclone]]'' de [[D. Ross Lederman]]
! FN
* [[1932 au cinéma|1932]] : ''[[Central Airport]]'' de [[William A. Wellman]]
| [[First National]]
* [[1933 au cinéma|1933]] : ''[[La Vie de Jimmy Dolan]]'' (''The Life of Jimmy Dolan'') d'[[Archie Mayo]]
! Fox
* [[1933 au cinéma|1933]] : ''[[Liliane (film, 1933)|Liliane]]'' (''Baby Face'') d'[[Alfred E. Green]]
| [[Fox Film Corporation|Fox Films]]
* [[1933 au cinéma|1933]] : ''[[L 'Homme de Monterey]]'' (''The Man from Monterey'') de [[Mack V. Wright]]
|-
* [[1933 au cinéma|1933]] : ''[[Les Cavaliers du destin]]'' alias ''[[Le Chevalier du Destin]]'' (''Riders of Destiny'') de [[Robert N. Bradbury]]
! L-G
* [[1933 au cinéma|1933]] : ''[[Justice pour un innocent]]'' alias ''Une sale amitié'' (''Sagebrush Trail'') de [[Armand Schaefer]]
| Levy-Gardner
* [[1934 au cinéma|1934]] : ''[[Le Texan chanceux]]'' alias ''La Mine du Texan'' (''The Lucky Texan'') de [[Robert N. Bradbury]]
! Mas
* [[1934 au cinéma|1934]] : ''[[À l'ouest des montagnes]]'' (''West of the Divide'') de [[Robert N. Bradbury]]
| [[Mascot Pictures Corporation|Mascot]]
* [[1934 au cinéma|1934]] : ''[[Panique à Yucca City]]'' (''Blue Steel'') de [[Robert N. Bradbury]]
! MGM
* [[1934 au cinéma|1934]] : ''[[L'Homme de l'Utah]]'' (''The Man From Utah'') de [[Robert N. Bradbury]]
| [[Metro-Goldwyn-Mayer]]
* [[1934 au cinéma|1934]] : ''[[Le Territoire sans loi]]'' (''The Lawless Frontier'') de [[Robert N. Bradbury]]
|-
* [[1934 au cinéma|1934]] : ''[[Sous le soleil d'Arizona]]'' (''Neath the Arizona Skies'') de [[Harry L. Fraser]]
! Mono
* [[1934 au cinéma|1934]] : ''[[Le Cavalier de l'aube]]'' (''The Dawn Rider'') de [[Robert N. Bradbury]]
| [[Monogram Pictures|Monogram ("Lone Star")]]
* [[1934 au cinéma|1934]] : ''[[L'Héritage du chercheur d'or]]'' (''The Trail Beyond'') de [[Robert N. Bradbury]]
! Mop
* [[1935 au cinéma|1935]] : ''[[L'Elixir du Docteur Carter]]'' (''Paradise Canyon'') de [[Carl Pierson]]
| Monterey Productions
* [[1936 au cinéma|1936]] : ''[[Les Pirates de la mer]]'' (''Sea Spoilers'') de [[Frank R. Strayer]]
! NG
* [[1936 au cinéma|1936]] : ''[[Conflict (film, 1934)|Conflict]]'' de [[David Howard]]
| [[National General Pictures|National General]]
* [[1937 au cinéma|1937]] : ''[[I Cover the War]]'' de [[Arthur Lubin]]
|-
* [[1937 au cinéma|1937]] : ''[[Born to the West]]'' de [[Charles Barton]]
! Par
* [[1938 au cinéma|1938]] : ''[[L'Idole de la foule]]'' (''Idol of the Crowds'') d'[[Arthur Lubin]]
| [[Paramount Pictures|Paramount]]
* [[1938 au cinéma|1938]] : ''[[Pals of the Saddle]]'' de [[George Sherman]]
! Rep
* [[1938 au cinéma|1938]]: ''[[Santa Fe Stampede]]'' de [[George Sherman]]
| [[Republic Pictures|Republic]]
* [[1939 au cinéma|1939]] : ''[[Le Premier Rebelle]]'' (''Allegheny Uprising'') de [[William A. Seiter]]
! RKO
* [[1939 au cinéma|1939]] : ''[[La Chevauchée fantastique]]'' (''Stagecoach'') de [[John Ford]]
| [[RKO Radio]]
* [[1939 au cinéma|1939]] : ''[[Wyoming Outlaw]]'' de [[George Sherman]]
|-
* [[1939 au cinéma|1939]] : ''[[New Frontier (film, 1939)|New Frontier]]'' de [[George Sherman]]
! Rom
* [[1940 au cinéma|1940]] : ''[[L'Escadron noir]]'' (''Dark Command'') de [[Raoul Walsh]]
| Romina Productions
* [[1940 au cinéma|1940]] : ''[[Les Déracinés (film, 1940)|Les Déracinés]]'' (''Three Faces West'') de [[Bernard Vorhaus]]
! SB
* [[1940 au cinéma|1940]] : ''[[Les Hommes de la mer]]'' (''The Long Voyage Home'') de [[John Ford]]
| [[Samuel Bronston Productions|Samuel Bronston]]
* [[1940 au cinéma|1940]] : ''[[La Maison des sept péchés]]'' (''Seven Sinners'') de [[Tay Garnett]]
! Sho
* [[1941 au cinéma|1941]] : ''[[La Fille du péché]]'' (''Lady from Louisiana'') de [[Bernard Vorhaus]]
| Showman's Pictures
* [[1941 au cinéma|1941]] : ''[[Le Retour du proscrit]]'' (''The Shepherd of the Hills'') de [[Henry Hathaway]]
|-
* [[1942 au cinéma|1942]] : ''[[Lady for a Night]]'' de [[Leigh Jason]]
! Sig
* [[1942 au cinéma|1942]] : ''[[Les Naufrageurs des mers du sud]]'' (''Reap the Wild Wind'') de [[Cecil B. DeMille]]
| Sigma
* [[1942 au cinéma|1942]] : ''[[Les Écumeurs]]'' (''The Spoilers'') de [[Ray Enright]]
! Tif
* [[1942 au cinéma|1942]] : ''[[Les Tigres volants (film)|Les Tigres volants]]'' (''Flying Tigers'') de [[David Miller (réalisateur)|David Miller]]
| [[Tiffany (movie studio)|Tiffany Pictures]]
* [[1942 au cinéma|1942]] : ''[[La Fièvre de l'or noir]]'' (''Pittsburgh'')de [[Lewis Seiler]]
! UA
* [[1942 au cinéma|1942]] : ''[[Sacramento (film, 1942)|Sacramento]]'' (''[[In Old California]]'') de [[William C. McGann]]
| [[United Artists]]
* [[1942 au cinéma|1942]] : ''[[Quelque part en France]]'' (''Reunion in France'') de [[Jules Dassin]]
|-
* [[1943 au cinéma|1943]] : ''[[La Fille et son cowboy]]'' (''A Lady Takes A Chance'') de [[William A. Seiter]]
! Uni
* [[1943 au cinéma|1943]] : ''[[La Ruée sanglante]]'' (''In Old Oklahoma'') de [[Albert S. Rogell]]
| [[Universal Pictures|Universal]]
* [[1944 au cinéma|1944]] : ''[[Alerte aux marines]]'' (''The Fighting Seabees'') d'[[Edward Ludwig]]
! WB
* [[1944 au cinéma|1944]] : ''[[L'Amazone aux yeux verts]]'' (''Tall in the Saddle'') d'[[Edwin L. Marin]]
| [[Warner Bros.]]
* [[1945 au cinéma|1945]] : ''[[Retour aux Philippines]]'' (''Back to Bataan'') d'[[Edward Dmytryk]]
! W-F
* [[1945 au cinéma|1945]] : ''[[La Belle de San Francisco]]'' (''Flame of Barbary Coast'') de [[Joseph Kane]]
| [[Batjac|Wayne-Fellows Productions]]
* [[1945 au cinéma|1945]] : ''[[Les Sacrifiés]]'' (''They Were Expendable'') de [[John Ford]]
|}
* [[1945 au cinéma|1945]] : ''[[La Femme du pionnier]]'' (''Dakota'') de [[Joseph Kane]]
 
* [[1946 au cinéma|1946]] : ''[[Sans réserve]]'' (''Without Reservations'') de [[Mervyn LeRoy]]
===1926===
* [[1946 au cinéma|1946]] : ''[[Desert Command]]'' de [[Colbert Clark]] et [[Armand Schaefer]]
{| class="wikitable" width="100%" style="text-align:center"
* [[1947 au cinéma|1947]] : ''[[L'Ange et le mauvais garçon]]'' alias ''L'Ange et le mal'' (''Angel and the Badman'') de [[James Edward Grant]]
! scope="col" style="background:#CB9" width="40" | No.
* [[1947 au cinéma|1947]] : ''[[Taïkoun (film, 1947)|Taïkoun]]'' (''Tycoon'') de [[Richard Wallace (réalisateur)|Richard Wallace]]
! scope="col" style="background:#CB9" width="180" | Title
* [[1948 au cinéma|1948]] : ''[[Le Massacre de Fort Apache]]'' (''Fort Apache'') de [[John Ford]]
! scope="col" style="background:#CB9" width="50" | Studio
* [[1948 au cinéma|1948]] : ''[[La Rivière rouge]]'' (''Red River'') de [[Howard Hawks]] et [[Arthur Rosson]]
! scope="col" style="background:#CB9" width="120" | Role
* [[1948 au cinéma|1948]] : ''[[Le Fils du désert]]'' (''Three Godfathers'') de [[John Ford]]
! scope="col" style="background:#CB9" width="120" | Director
* [[1948 au cinéma|1948]] : ''[[Le Réveil de la sorcière rouge]]'' (''Wake of the Red Witch'') d'[[Edward Ludwig]]
! scope="col" style="background:#CB9" | Notes
* [[1949 au cinéma|1949]] : ''[[Le Bagarreur du Kentucky]]'' (''The Fighting Kentuckian'') de [[George Waggner]]
|-
* [[1949 au cinéma|1949]] : ''[[La Charge héroïque]]'' (''She Wore a Yellow Ribbon'') de [[John Ford]]
! scope="row" | 1
* [[1949 au cinéma|1949]] : ''[[Iwo Jima (film)|Iwo Jima]]'' (''Sands of Iwo Jima'') d'[[Allan Dwan]]
! scope="row" | ''[[Brown of Harvard (1926 film)|Brown of Harvard]]''
* [[1950 au cinéma|1950]] : ''[[Rio Grande (film, 1950)|Rio Grande]]'' (''Sons of the pioneers'') de [[John Ford]]
| MGM
* [[1951 au cinéma|1951]] : ''[[Opération dans le Pacifique]]'' (''Operation Pacific'') de [[George Waggner]]
| Yale Football Player
* [[1951 au cinéma|1951]] : ''[[Les Diables de Guadalcanal]]'' (''Flying Leathernecks'') de [[Nicholas Ray]]
| [[Jack Conway (film-maker)|Jack Conway]]
* [[1952 au cinéma|1952]] : ''[[L'Homme tranquille]]'' (''The Quiet Man'') de [[John Ford]]
| style="text-align:left" | Wayne was an unbilled football player in game sequences of this sports drama, with [[William Haines]], [[Mary Brian]], and [[Jack Pickford]].
* [[1953 au cinéma|1953]] : ''[[Big Jim McLain]]'' d'[[Edward Ludwig]]
|-
* [[1953 au cinéma|1953]] : ''[[L'Homme de bonne volonté]]'' (''Trouble Along the Way'') de [[Michael Curtiz]]
! scope="row" | 2
* [[1953 au cinéma|1953]] : ''[[Aventure dans le Grand Nord]]'' (''Island in the Sky'') de [[William A. Wellman]]
! scope="row" | ''[[Bardelys the Magnificent]]''
* [[1953 au cinéma|1953]] : ''[[Hondo, l'homme du désert]]'' (''Hondo'') de [[John Farrow]]
| MGM
* [[1954 au cinéma|1954]] : ''[[Écrit dans le ciel]]'' (''The High and the Mighty'') de [[William A. Wellman]]
| Guard
* [[1955 au cinéma|1955]] : ''[[Le Renard des océans]]'' (''The Sea Chase'') de [[John Farrow]]
| [[King Vidor]]
* [[1955 au cinéma|1955]] : ''[[L'Allée sanglante]]'' (''Blood Alley'') de [[William A. Wellman]]
| style="text-align:left" | Wayne unbilled in this swashbuckler with [[John Gilbert (actor)|John Gilbert]] and [[Eleanor Boardman]].
* [[1956 au cinéma|1956]] : ''[[Le Conquérant (film)|Le Conquérant]]'' (''The Conqueror'') de [[Dick Powell]]
|-
* [[1956 au cinéma|1956]] : ''[[La Prisonnière du désert]]'' (''The Searchers'') de [[John Ford]]
! scope="row" | 3
* [[1957 au cinéma|1957]] : ''[[L'aigle vole au soleil]]'' (''The Wings of Eagles'') de [[John Ford]]
! scope="row" | ''[[The Great K & A Train Robbery]]''
* [[1957 au cinéma|1957]] : ''[[Les espions s'amusent]]'' (''Jet Pilot'') de [[Josef von Sternberg]]
| Fox
* [[1957 au cinéma|1957]] : ''[[La Cité disparue]]'' (''Legend of the Lost'') de [[Henry Hathaway]]
| extra
* [[1958 au cinéma|1958]] : ''[[Le Barbare et la Geisha]]'' (''The Barbarian and the Geisha'') de [[John Huston]]
| [[Lewis Seiler]]
* [[1959 au cinéma|1959]] : ''[[Rio Bravo (film)|Rio Bravo]]'' de [[Howard Hawks]]
| style="text-align:left" | A [[Tom Mix]] Western. Wayne unbilled.
* [[1959 au cinéma|1959]] : ''[[Les Cavaliers (film, 1959)|Les Cavaliers]]'' (''The Horse Soldiers'') de [[John Ford]]
|}
* [[1960 au cinéma|1960]] : '' [[Alamo (film, 1960)|Alamo]]'' (''The Alamo'') de John Wayne
 
* [[1960 au cinéma|1960]] : ''[[Le Grand Sam]]'' (''North to Alaska'') de [[Henry Hathaway]]
===1927===
* [[1961 au cinéma|1961]] : ''[[Les Comancheros]]'' (''The Comancheros'') de [[Michael Curtiz]]
{| class="wikitable" width="100%" style="text-align:center"
* [[1962 au cinéma|1962]] : ''[[L'Homme qui tua Liberty Valance]]'' (''The Man Who Shot Liberty Valance'') de [[John Ford]]
! scope="col" style="background:#CB9" width="35" | No.
* [[1962 au cinéma|1962]] : ''[[Hatari !]]'' de [[Howard Hawks]]
! scope="col" style="background:#CB9" width="180" | Title
* [[1962 au cinéma|1962]] : ''[[Le Jour le plus long]]'' (''The Longest Day'') de [[Ken Annakin]] et [[Andrew Marton]]
! scope="col" style="background:#CB9" width="45" | Studio
* [[1962 au cinéma|1962]] : ''[[La Conquête de l'Ouest (film)|La Conquête de l'Ouest]]'' (''How The West Was Won'') de [[John Ford]] et [[Henry Hathaway]]
! scope="col" style="background:#CB9" width="120" | Role
* [[1963 au cinéma|1963]] : ''[[Le Grand McLintock]]'' (''McLintock !'') d'[[Andrew V. McLaglen]]
! scope="col" style="background:#CB9" width="120" | Director
* [[1963 au cinéma|1963]] : ''[[La Taverne de l'Irlandais]]'' (''Donovan's Reef'') de [[John Ford]]
! scope="col" style="background:#CB9" | Notes
* [[1964 au cinéma|1964]] : ''[[Le Plus Grand Cirque du monde]]'' (''Circus World'') de [[Henry Hathaway]]
|-
* [[1965 au cinéma|1965]] : ''[[La Plus Grande Histoire jamais contée]]'' (''The Greatest Story Ever Told'') de [[George Stevens]]
! scope="row" | 4
* [[1965 au cinéma|1965]] : ''[[Première Victoire]]'' (''In Harm's Way'') d'[[Otto Preminger]]
! scope="row" | ''[[Annie Laurie (1927 film)|Annie Laurie]]''
* [[1965 au cinéma|1965]] : ''[[Les Quatre Fils de Katie Elder]]'' (''The Sons of Katie Elder'') de [[Henry Hathaway]]
| MGM
* [[1966 au cinéma|1966]] : ''[[L'Ombre d'un géant]]'' (''Cast a Giant Shadow'') de [[Melville Shavelson]]
| extra
* [[1966 au cinéma|1966]] : ''[[El Dorado (film, 1966)|El Dorado]]'' (''El Dorado'') de [[Howard Hawks]]
| [[John S. Robertson]]
* [[1967 au cinéma|1967]] : ''[[La Caravane de feu]]'' (''The War Wagon'') de [[Burt Kennedy]]
| style="text-align:left" | With [[Lillian Gish]] and [[Norman Kerry]]. Wayne unbilled.
* [[1968 au cinéma|1968]] : ''[[Les Bérets verts (film, 1968)|Les Bérets verts]]'' (''The Green Berets'') de [[Ray Kellogg]] et John Wayne
|-
* [[1968 au cinéma|1968]] : ''[[Les Feux de l'enfer]]'' (''Hellfighters'') d'[[Andrew V. McLaglen]]
! scope="row" | 5
* [[1969 au cinéma|1969]] : ''[[Cent dollars pour un shérif]]'' (''True Grit'') de [[Henry Hathaway]]
! scope="row" | {{plainlist|
* [[1969 au cinéma|1969]] : ''[[Les Géants de l'Ouest]]'' (''The Undefeated'') d'[[Andrew V. McLaglen]]
*''[[The Drop Kick]]'' {{small|(US title)}}
* [[1970 au cinéma|1970]] : ''[[Chisum]]'' (''Chisum'') d'[[Andrew V. McLaglen]]
* ''Glitter'' {{small|(UK title)}}
* [[1970 au cinéma|1970]] : ''[[Rio Lobo]]'' de [[Howard Hawks]]
}}
* [[1971 au cinéma|1971]] : ''[[Big Jake]]'' de [[George Sherman]] et John Wayne
| FN
* [[1972 au cinéma|1972]] : ''[[Les Cowboys]]'' (''The Cowboys'') de [[Mark Rydell]]
| extra
* [[1973 au cinéma|1973]] : ''[[Les Voleurs de train]]'' (''The Train Robbers'') de [[Burt Kennedy]]
| Millard Webb
* [[1973 au cinéma|1973]] : ''[[Les Cordes de la potence]]'' (''Cahill U.S. Marshal'') d'[[Andrew V. McLaglen]]
| style="text-align:left" | A football drama with [[Richard Barthelmess]]. Wayne once again unbilled as a football player in game footage.
* [[1974 au cinéma|1974]] : ''[[Un silencieux au bout du canon]]'' (''McQ'') de [[John Sturges]]
|}
* [[1975 au cinéma|1975]] : ''[[Brannigan]]'' de [[Douglas Hickox]]
 
* [[1975 au cinéma|1975]] : ''[[Une bible et un fusil]]'' (''Rooster Cogburn'') de [[Stuart Millar]]
===1928===
* [[1976 au cinéma|1976]] : ''[[Le Dernier des géants]]'' (''The Shootist'') de [[Don Siegel]]
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 6
! scope="row" | ''[[Mother Machree]]''
| Fox
| extra
| John Ford
| style="text-align:left" | An Irish drama with [[Victor McLaglen]]. Wayne unbilled in his first film with Ford. Sources disagree whether Wayne actually appeared on film, as he was a prop man.
|-
! scope="row" | 7
! scope="row" | ''[[Four Sons]]''
| Fox
| extra
| John Ford
| style="text-align:left" | An Irish drama with Victor McLaglen. Wayne unbilled. Sources disagree whether Wayne actually appeared on film in this picture, as well.
|-
! scope="row" | 8
! scope="row" | ''[[Hangman's House]]''
| Fox
| Horse Race Spectator / Condemned Man
| John Ford
| style="text-align:left" | An Irish drama with Victor McLaglen. Wayne unbilled but noticeable as a spectator in a horse racing scene.
|-
! scope="row" | 9
! scope="row" | ''[[Noah's Ark (1928 film)|Noah's Ark]]''
| WB
| Flood extra
| [[Michael Curtiz]]
| style="text-align:left" | A Biblical drama with [[Dolores Costello]], [[George O'Brien (actor)|George O'Brien]], [[Noah Beery]], and [[Myrna Loy]]. Wayne and [[Andy Devine]] unbilled as extras in the flood sequence.
|}
 
===1929===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 10
! scope="row" | ''[[Speakeasy (1929 film)|Speakeasy]]''
| Fox
| extra
|
| [[Benjamin Stoloff]]
| style="text-align:left" | A sports drama with [[Lola Lane (actress)|Lola Lane]] and [[Paul Page (actor)|Paul Page]]. Wayne unbilled.
|-
! scope="row" | 11
! scope="row" | ''[[The Black Watch]]''
| Fox
| extra
|
| John Ford
| style="text-align:left" | Drama of the British army in India during the First World War, with Victor McLaglen and [[Myrna Loy]]. Wayne and [[Randolph Scott]] unbilled.
|-
! scope="row" | 12
! scope="row" | ''[[Words and Music (1929 film)|Words and Music]]''
| Fox
| Pete Donahue
| [[Lois Moran]]
| James Tinling
| style="text-align:left" | Wayne billed under his real name, Duke Morrison. An early talkie musical. Now apparently a [[lost film]].
|-
! scope="row" | 13
! scope="row" | ''[[Salute (1929 film)|Salute]]''
| Fox
| Bill, Midshipman
|
| John Ford
| style="text-align:left" | A [[American football|football]] drama with George O'Brien and [[Helen Chandler]]. Wayne and [[Ward Bond]] unbilled.
|-
! scope="row" | 14
! scope="row" | ''[[The Forward Pass]]''
| Fox
| extra
|
| Eddie Cline
| style="text-align:left" | A football drama with [[Douglas Fairbanks, Jr.]] and [[Loretta Young]]. Wayne unbilled. A lost film.
|}
 
===1930===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 15
! scope="row" | ''[[Men Without Women (film)|Men Without Women]]''
| Fox
| Radioman on surface
|
| John Ford
| style="text-align:left" | A submarine drama. Wayne unbilled.
|-
! scope="row" | 16
! scope="row" | ''[[Born Reckless (1930 film)|Born Reckless]]''
| Fox
| Soldier
|
| John Ford<br />Andrew Bennison
| style="text-align:left" | A crime melodrama with [[Edmund Lowe]], [[Lee Tracy]], and [[Marguerite Churchill]]. Wayne, Randolph Scott, and Ward Bond unbilled.
|-
|-
! scope="row" | 17
! scope="row" | ''[[Rough Romance]]''
| Fox
| Lumberjack
|
| A.F. Erickson
| style="text-align:left" | A logging adventure with George O'Brien and [[Antonio Moreno]]. Wayne unbilled.
|-
! scope="row" | 18
! scope="row" | ''[[Cheer Up and Smile]]''
| Fox
| bit part
|
| Sidney Lansfield
| style="text-align:left" | A musical with [[Arthur Lake (actor)|Arthur Lake]], [[Dixie Lee]], [[Olga Baclanova]], and [["Whispering" Jack Smith]]. Wayne and [[J. Carrol Naish]] unbilled.
|-
! scope="row" | 19
! scope="row" | ''[[The Big Trail]]''<ref>Fagen, pp. 40–41.</ref>
| Fox
| Breck Coleman
| Marguerite Churchill
| Raoul Walsh
| style="text-align:left" | With [[Tyrone Power, Sr.]], [[Ian Keith]], Ward Bond. An epic Western shot simultaneously in standard 35&nbsp;mm and 70&nbsp;mm "Grandeur" wide-screen. Wayne's first starring role.
|}
 
===1931===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 20
! scope="row" | ''[[Girls Demand Excitement]]''
| Fox
| Peter Brooks
| [[Virginia Cherrill]]<br />Marguerite Churchill
| Seymour Felix
| style="text-align:left" | A college romantic comedy.
|-
! scope="row" | 21
! scope="row" | ''[[Three Girls Lost]]''
| Fox
| Gordon Wales
| Loretta Young
| Sidney Lansfield
|
|-
! scope="row" | 22
! scope="row" | {{plainlist|
*''[[Arizona (1931 film)|Arizona]]'' {{small|(US title)}}<ref>Filmed as ''Arizona'', the movie's makers applied to the New York State Censor Board for a new title, ''Men Are Like That'', and the film was reviewed under that title in New York and other places.</ref>
*''The Virtuous Wife'' {{small|(UK title)}}
}}
| Col
| Lt. Bob Denton
| [[Laura La Plante]]<br />June Clyde
| [[George B. Seitz]]
| style="text-align:left" | Based on the play by [[Augustus Thomas]]. Previously filmed in 1919 with [[Douglas Fairbanks]] in the Wayne role.
|-
! scope="row" | 23
! scope="row" | ''[[The Deceiver (film)|The Deceiver]]''
| Col
| Reginald Thorpe's corpse
|
| Louis King
| style="text-align:left" | Wayne's most ignominious part. He played the corpse of the character played (alive) by [[Ian Keith]].
|-
! scope="row" | 24
! scope="row" | ''[[Range Feud]]''<ref>Fagen, p. 336.</ref>
| Col
| Clint Turner
| Susan Fleming
| D. Ross Letterman
| style="text-align:left" | A [[B-Western]] starring [[Buck Jones]]. Wayne in a supporting role.
|-
! scope="row" | 25
! scope="row" | ''[[Maker of Men]]''
| Col
| Dusty Rhodes
|
| [[Edward Sedgwick]]
| style="text-align:left" | A football drama with [[Jack Holt (actor)|Jack Holt]] and [[Richard Cromwell (actor)|Richard Cromwell]]. Wayne in a supporting role.
|}
 
===1932===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 26
! scope="row" | ''The Voice of Hollywood No. 13''
| Tif
| Himself
| [[Thelma Todd]]
| Mark D'Agostino
| style="text-align:left" | A short subject.
|-
! scope="row" | 27
! scope="row" | ''Running Hollywood''
| Uni
| Himself
|
| Charles Lamont
| style="text-align:left" | A two-reel short.
|-
! scope="row" | 28
! scope="row" | ''[[The Shadow of the Eagle]]''
| Mas
| Craig McCoy
| Dorothy Gulliver
| Ford Beebe
| style="text-align:left" | A 12-chapter serial.
|-
! scope="row" | 29
! scope="row" | ''[[Texas Cyclone (film)|Texas Cyclone]]''
| Col
| Steve Pickett
| Shirley Grey
| D. Ross Lederman
| style="text-align:left" | A B-Western starring [[Tim McCoy]]. Wayne in a supporting part.
|-
! scope="row" | 30
! scope="row" | ''[[Two-Fisted Law]]''<ref>Fagen, p. 451.</ref>
| Col
| Duke
| Alice Day
| D. Ross Lederman
| style="text-align:left" | Another B-Western starring Tim McCoy. Wayne in a supporting part.
|-
! scope="row" | 31
! scope="row" | ''[[Lady and Gent]]''
| Par
| Buzz Kinney
|
| Stephen Roberts
| style="text-align:left" | A boxing drama with [[George Bancroft]] and [[Wynne Gibson]]. Wayne in a supporting role. Remade as ''Unmarried'' (1939) with [[Buster Crabbe]] in Wayne's role.
|-
! scope="row" | 32
! scope="row" | ''[[The Hurricane Express]]''
| Mas
| Larry Baker
| Shirley Gray
| Armand Schaefer<br />J.P. McGowan
| style="text-align:left" | A 12-chapter serial.
|-
! scope="row" | 33
! scope="row" | ''The Hollywood Handicap''
| Uni
| Himself
|
| Charles Lamont
| style="text-align:left" | A two-reel short.
|-
! scope="row" | 34
! scope="row" | {{plainlist|
*''[[Ride Him, Cowboy]]''<ref>Fagen, p. 350.</ref> {{small|(US title)}}
* ''The Hawk'' {{small|(UK title)}}
}}
| WB
| John Drury
| Ruth Hall
| Fred Allen<ref>Not the [[Fred Allen|radio comedian]]</ref>
| style="text-align:left" | Wayne's first starring role in a B-Western, the first of six that he would make for Warner Bros. Remake of ''The Unknown Cavalier'' (1926) with [[Ken Maynard]].
|-
! scope="row" | 35
! scope="row" | ''[[That's My Boy (1932 film)|That's My Boy]]''
| Col
| Football Player
|
| [[Roy William Neill]]
| style="text-align:left" | With Richard Cromwell and [[Dorothy Jordan (film actress)|Dorothy Jordan]]. Another football drama with Wayne in a supporting role.
|-
! scope="row" | 36
! scope="row" | ''[[The Big Stampede]]''<ref>Fagen, p. 40.</ref>
| WB
| John Steele
| Mae Madison
| Tenny Wright
| style="text-align:left" | Remake of ''Land Beyond the Law'' (1927) with Ken Maynard. Remade under original title in 1936 with [[Dick Foran]].
|-
! scope="row" | 37
! scope="row" | ''[[Haunted Gold]]''<ref>Fagen, p. 203.</ref>
| WB
| John Mason
| [[Sheila Terry (actor)|Sheila Terry]]
| [[Mack V. Wright]]
| style="text-align:left" | Remake of ''The Phantom City'' (1928) with Ken Maynard.
|}
 
===1933===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 38
! scope="row" | ''[[The Telegraph Trail]]''<ref>Fagen, p. 422.</ref>
| WB
| John Trent
| [[Marceline Day]]
| Tenny Wright
| style="text-align:left" | Wayne's first film with [[Yakima Canutt]]. A clip of this film was used in ''[[Footlight Parade]]'' (1933). Semi-remake of ''The Red Raiders'' (1927) with Ken Maynard.
|-
! scope="row" | 39
! scope="row" | ''[[The Three Musketeers (1933 serial)|The Three Musketeers]]''
| Mas
| Tom Wayne
| Ruth Hall
| Armand Schaefer<br />Colbert Clark
| style="text-align:left" | With [[Lon Chaney, Jr.|Creighton Chaney]]. A 12-chapter serial set in the Arabian desert. Very loosely adapted from the [[Alexandre Dumas, père|Dumas]] [[The Three Musketeers|novel]]. Later re-edited into a 1946 feature entitled ''Desert Command''.
|-
! scope="row" | 40
! scope="row" | ''[[Central Airport (film)|Central Airport]]''
| WB
| Co-pilot in wreck
|
| [[William Wellman]]
| style="text-align:left" | An aviation drama with Richard Barthelmess, [[Sally Eilers]], and [[Tom Brown (actor)|Tom Brown]]. Wayne in an unbilled bit, and his first on-screen death.
|-
! scope="row" | 41
! scope="row" | ''[[Somewhere in Sonora]]''<ref>Fagen, p. 400.</ref>
| WB
| John Bishop
| Shirley Palmer
| Mack V. Wright
| style="text-align:left" | Remake of the 1927 film of the same title with Ken Maynard.
|-
! scope="row" | 42
! scope="row" | ''[[His Private Secretary]]''
| WB
| Dick Wallace
| Evelyn Knapp
| Philip H. Whitman
| style="text-align:left" | Romantic comedy made by the independent company Showman's Pictures.
|-
! scope="row" | 43
! scope="row" | {{plainlist|
*''[[The Life of Jimmy Dolan]]'' {{small|(US title)}}
*''The Kid's Last Fight'' {{small|(UK title)}}
}}
| WB
| Smith
|
| [[Archie Mayo]]
| style="text-align:left" | Boxing melodrama with [[Douglas Fairbanks, Jr.]] and Loretta Young. Wayne in small supporting role as a frightened boxer. Remade as ''They Made Me a Criminal'' (1939) with [[John Garfield]], and [[Louis Jean Heydt]] in Wayne's role.
|-
! scope="row" | 44
! scope="row" | ''[[Baby Face (film)|Baby Face]]''
| WB
| Jimmy McCoy
| [[Barbara Stanwyck]]
| [[Alfred E. Green]]
| style="text-align:left" | Wayne in a supporting part. This was the only time he appeared in a film with Stanwyck.
|-
! scope="row" | 45
! scope="row" | ''[[The Man from Monterey]]''<ref>Fagen, p. 271.</ref>
| WB
| Capt. John Holmes
| Ruth Hall
| Mack V. Wright
| style="text-align:left" | Wayne's last B-Western for Warner Bros.
|-
! scope="row" | 46
! scope="row" | ''[[Riders of Destiny]]''<ref>Fagen, p. 352.</ref>
| Mono
| Sandy Saunders ("Singing Sandy")
| [[Cecilia Parker]]
| [[Robert N. Bradbury|R.N. Bradbury]]
| style="text-align:left" | Wayne's first B-Western for Monogram, released as a "Lone Star Western", and the first to present him as a singing cowboy (with a dubbed singing voice). Also his first teaming with [[George "Gabby" Hayes]].
|-
! scope="row" | 47
! scope="row" | ''[[The Sweetheart of Sigma Chi (film)|The Sweetheart of Sigma Chi]]''<ref>Landesman, Fred. ''The John Wayne Filmography''. McFarland & Company, Inc., 2007. ISBN 0-7864-3252-7</ref>
| WB
| Bit part
|
| [[Edwin L. Marin]]
| style="text-align:left" | A college romantic comedy with [[Mary Carlisle]], [[Buster Crabbe]], [[Charles Starrett]], and [[Betty Grable]]. Wayne wore a mustache in his bit part, which was cut from the final print.
|-
! scope="row" | 48
! scope="row" | {{plainlist|
*''[[College Coach]]'' {{small|(US title)}}
*''Football Coach'' {{small|(UK title)}}
}}
| WB
| Student
|
| William Wellman
| style="text-align:left" | Wayne's last bit part. Aside from cameos, he would play the lead – or one of the leads – in all of his subsequent pictures.
|-
! scope="row" | 49
! scope="row" | ''[[Sagebrush Trail]]''<ref>Fagen, p. 374.</ref>
| Mono
| John Brant
| Nancy Shubert
| Armand Schaefer
| style="text-align:left" | With Yakima Canutt.
|}
 
===1934===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 50
! scope="row" | ''[[The Lucky Texan]]''<ref>Fagen, p. 264.</ref>
| Mono
| Jerry Mason
| [[Barbara Sheldon]]
| R.N. Bradbury
| style="text-align:left" | With George Hayes, Yakima Canutt, [[Earl Dwire]].
|-
! scope="row" | 51
! scope="row" | ''[[West of the Divide]]''<ref>Fagen, p. 481.</ref>
| Mono
| Ted Hayden
| [[Virginia Browne Faire]]
| R.N. Bradbury
| style="text-align:left" | With George Hayes, Yakima Canutt, [[Lafe McKee]], Earl Dwire.
|-
! scope="row" | 52
! scope="row" | ''[[Blue Steel (1934 film)|Blue Steel]]''<ref>Fagen, p. 49.</ref>
| Mono
| John Carruthers
| [[Eleanor Hunt]]
| R.N. Bradbury
| style="text-align:left" | With George Hayes, Yakima Canutt, Lafe McKee, Earl Dwire. Filmed on location in [[Lone Pine, California]].
|-
! scope="row" | 53
! scope="row" | ''[[The Man from Utah]]''<ref>Fagen, p. 272.</ref>
| Mono
| John Westen
| [[Polly Ann Young]]<ref>Sister of Loretta Young.</ref>
| R.N. Bradbury
| style="text-align:left" | With George Hayes, Yakima Canutt, Lafe McKee.
|-
! scope="row" | 54
! scope="row" | ''[[Randy Rides Alone]]''<ref>Fagen, p. 335.</ref>
| Mono
| Randy Bowers
| [[Alberta Vaughn]]
| [[Harry L. Fraser]]
| style="text-align:left" | With George Hayes, Yakima Canutt, Earl Dwire. Another "singing cowboy" role for Wayne.
|-
! scope="row" | 55
! scope="row" | ''[[The Star Packer]]''<ref>Fagen, p. 411.</ref>
| Mono
| John Travers
| [[Verna Hillie]]
| R.N. Bradbury
| style="text-align:left" | With George Hayes, Yakima Canutt, Earl Dwire.
|-
! scope="row" | 56
! scope="row" | ''[[The Trail Beyond]]''<ref>Fagen, p. 442.</ref>
| Mono
| Rod Drew
| Verna Hillie
| R.N. Bradbury
| style="text-align:left" | With [[Noah Beery, Sr.]], [[Noah Beery, Jr.]], Earl Dwire. Based on the novel The ''Wolf Hunters'' by [[James Oliver Curwood]]. Also filmed under the novel's title in 1926 and 1949.
|-
! scope="row" | 57
! scope="row" | ''[[The Lawless Frontier]]''<ref name="Fagen, p. 249">Fagen, p. 249.</ref>
| Mono
| John Tobin
| Sheila Terry
| R.N. Bradbury
| style="text-align:left" | With George Hayes, Yakima Canutt, Earl Dwire.
|-
! scope="row" | 58
! scope="row" | ''[['Neath the Arizona Skies]]''<ref>Fagen, p. 291.</ref>
| Mono
| Chris Morrell
| Sheila Terry
| Harry Frazer
| style="text-align:left" | With George Hayes, Yakima Canutt.
|}
 
===1935===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 59
! scope="row" | ''[[Texas Terror (film)|Texas Terror]]''<ref>Fagen, p. 428.</ref>
| Mono
| John Higgins
| [[Lucile Browne]]
| R.N. Bradbury
| style="text-align:left" | With George Hayes.
|-
! scope="row" | 60
! scope="row" | ''[[Rainbow Valley (film)|Rainbow Valley]]''<ref>Fagen, p. 334.</ref>
| Mono
| John Martin
| Lucile Browne
| R.N. Bradbury
| style="text-align:left" | With George Hayes.
|-
! scope="row" | 61
! scope="row" | ''[[The Desert Trail]]''<ref>Fagen, p. 128.</ref>
| Mono
| John Scott
| [[Mary Kornman]]
| [[Cullen Lewis]]
| style="text-align:left" | With [[Paul Fix]].
|-
! scope="row" | 62
! scope="row" | ''[[The Dawn Rider]]''<ref>Fagen, p. 121.</ref>
| Mono
| John Mason
| [[Marion Burns]]
| R.N. Bradbury
| style="text-align:left" | With Yakima Canutt.
|-
! scope="row" | 63
! scope="row" | ''[[Paradise Canyon]]''<ref>Fagen, p. 314.</ref>
| Mono
| John Wyatt
| Marion Burns
| Carl Pierson
| style="text-align:left" | With Yakima Canutt. Wayne's last "Lone Star" Western for Monogram.
|-
! scope="row" | 64
! scope="row" | ''[[Westward Ho (1935 film)|Westward Ho]]''<ref>Fagen, p. 483.</ref>
| Rep
| John Wyatt
| [[Sheila Mannors]]<ref name="SM">Later known as Sheila Bromley.</ref>
| R.N. Bradbury
| style="text-align:left" | With Yakima Canutt. Shot on location in Lone Pine. Wayne's first film for Republic Pictures.
|-
! scope="row" | 65
! scope="row" | ''[[The New Frontier (film)|The New Frontier]]''
| Rep
| John Dawson
| [[Muriel Evans]]
| Carl Pierson
| style="text-align:left" | Not to be confused with the 1939 film Wayne made entitled ''New Frontier'' (no "the").
|-
! scope="row" | 66
! scope="row" | ''[[Lawless Range]]''<ref>Fagen, p. 250.</ref>
| Rep
| John Middleton
| Sheila Mannors<ref name="SM"/>
| R.N. Bradbury
| style="text-align:left" | With Yakima Canutt.
|}
 
===1936===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 67
! scope="row" | ''[[The Oregon Trail (1936 film)|The Oregon Trail]]''<ref>Fagen, p. 302.</ref>
| Rep
| Capt. John Delmont
| [[Ann Rutherford]]
| [[Scott Pembroke]]
| style="text-align:left" | With Yakima Canutt. Shot on location in Lone Pine. A lost film.
|-
! scope="row" | 68
! scope="row" | ''[[The Lawless Nineties]]''<ref name="Fagen, p. 249"/>
| Rep
| John Tipton
| Ann Rutherford
| [[Joseph Kane]]
|
|-
! scope="row" | 69
! scope="row" | ''[[King of the Pecos]]''<ref>Fagen, p. 236.</ref>
| Rep
| John Clayborn
| [[Muriel Evans]]
| Joseph Kane
| style="text-align:left" | With Yakima Canutt. Shot on location in Lone Pine.
|-
! scope="row" | 70
! scope="row" | ''[[The Lonely Trail]]''<ref>Fagen, p. 260.</ref>
| Rep
| Captain John Ashley
| Ann Rutherford
| Joseph Kane
| style="text-align:left" | With Yakima Canutt. A post-American Civil War yarn about [[carpetbaggers]].
|-
! scope="row" | 71
! scope="row" | ''[[Winds of the Wasteland]]''<ref>Fagen, p. 493.</ref>
| Rep
| John Blair
| [[Phyllis Fraser]]
| Mack V. Wright
| style="text-align:left" | [[Hulu]] sometimes presents a colorized version entitled ''Stagecoach Run''.
|-
! scope="row" | 72
! scope="row" | ''[[Sea Spoilers]]''
| Uni
| Bob Randall
| [[Nan Grey]]
| Frank Strayer
| style="text-align:left" | The first of six non-Westerns that Wayne did for Universal.
|-
! scope="row" | 73
! scope="row" | ''[[Conflict (1936 film)|Conflict]]''
| Uni
| Pat Glendon
| [[Jean Rogers]]
| [[David Howard (director)|David Howard]]
| style="text-align:left" | Based on the novel ''The Abysmal Brute'' by [[Jack London]].
|}
 
===1937===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 74
! scope="row" | ''[[California Straight Ahead!]]''
| Uni
| Biff Smith
| [[Louise Latimer (actress)|Louise Latimer]]
| [[Arthur Lubin]]
| style="text-align:left" | Wayne as a school bus driver who becomes a trucking industry leader.
|-
! scope="row" | 75
! scope="row" | ''[[I Cover the War]]''
| Uni
| Bob Adams
| [[Gwen Gaze]]
| Arthur Lubin
| style="text-align:left" | Shot on location in Lone Pine.
|-
! scope="row" | 76
! scope="row" | ''[[Idol of the Crowds]]''
| Uni
| Johnny Hanson
| [[Sheila Bromley]]
| Arthur Lubin
| style="text-align:left" | Sports drama with Wayne as a professional ice hockey player.
|-
! scope="row" | 77
! scope="row" | ''[[Adventure's End]]''
| Uni
| Duke Slade
| [[Diana Gibson]]
| Arthur Lubin
| style="text-align:left" | The last of Wayne's non-Western "B" pictures for Universal.
|-
! scope="row" | 78
! scope="row" | {{plainlist|
*''[[Born to the West]]''<ref>Fagen, pp. 55–56.</ref> {{small|(original title)}}
*''Hell Town'' {{small|(reissue title)}}
}}
| Par
| Dare Rudd
| [[Marsha Hunt (actress)|Marsha Hunt]]
| [[Charles Barton]]
| style="text-align:left" | With [[Johnny Mack Brown]]. Based on the novel of the same name by [[Zane Grey]]. Previously filmed in 1926 with Jack Holt in the Wayne role.
|}
 
===1938===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 79
! scope="row" | ''[[Pals of the Saddle]]''<ref>Fagen, p. 313.</ref>
| Rep
| Stoney Brooke
| [[Doreen McKay]]
| [[George Sherman]]
| style="text-align:left" | With [[Ray Corrigan]] (Tucson Smith) and Max Terhune (Lullaby Joslin). The first of eight films Wayne did in Republic's "Three Mesquiteers" series.
|-
! scope="row" | 80
! scope="row" | ''[[Overland Stage Raiders]]''
| Rep
| Stoney Brooke
| [[Louise Brooks]]
| George Sherman
| style="text-align:left" | With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin). Brooks' final film appearance.
|-
! scope="row" | 81
! scope="row" | ''[[Santa Fe Stampede]]''
| Rep
| Stoney Brooke
| [[June Martel]]
| George Sherman
| style="text-align:left" | With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin).
|-
! scope="row" | 82
! scope="row" | ''[[Red River Range]]''
| Rep
| Stoney Brooke
| [[Lorna Gray]]<ref>Later known as Adrian Booth.</ref>
| George Sherman
| style="text-align:left" | With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin).
|}
 
===1939===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 83
! scope="row" | ''[[Stagecoach (1939 film)|Stagecoach]]''<ref>Fagen, pp. 407–408.</ref>
| UA<ref>A [[Walter Wanger]] production released thru United Artists</ref>
| Henry ("The Ringo Kid")
| [[Claire Trevor]]
| John Ford
| style="text-align:left" | With [[John Carradine]], Andy Devine, [[George Bancroft]], [[Louise Platt]], [[Tim Holt]], [[Tom Tyler]]. Filmed on location in [[Monument Valley]]. This is the film that boosted Wayne into major stardom.
|-
! scope="row" | 84
! scope="row" | ''[[The Night Riders (1939 film)|The Night Riders]]''
| Rep
| Stoney Brooke
| Doreen McKay
| George Sherman
| style="text-align:left" | With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin), [[Tom Tyler]].<ref>[[Tom Tyler|Tyler]] played Wayne's role of "Stoney Brooke" in some of the later "Mesquiteers" series.</ref> The story of this film was loosely based on the incidents in the life of [[James Reavis]].<ref>These same incidents also formed the basis of the film ''The Baron of Arizona'' (1951), starring [[Vincent Price]].</ref>
|-
! scope="row" | 85
! scope="row" | {{plainlist|
*''[[Three Texas Steers]]''<ref>Fagen, p. 434.</ref> {{small|(US title)}}
*''Danger Rides the Range'' {{small|(UK title)}}
}}
| Rep
| Stoney Brooke
| [[Carole Landis]]
| George Sherman
| style="text-align:left" | With Ray Corrigan (Tucson Smith) and Max Terhune (Lullaby Joslin).
|-
! scope="row" | 86
! scope="row" | ''[[Wyoming Outlaw]]''
| Rep
| Stoney Brooke
| [[Adele Pearce]]
| George Sherman
| style="text-align:left" | With Ray Corrigan (Tucson Smith) and [[Raymond Hatton]] (Rusty Joslin).
|-
! scope="row" | 87
! scope="row" | {{plainlist|
*''[[New Frontier (film)|New Frontier]]'' {{small|(original title)}}
*''Frontier Horizon'' {{small|(TV title)}}<ref>The change in title was probably done to avoid confusion with an earlier Wayne film called ''The New Frontier'' (1936).</ref>
}}
| Rep
| Stoney Brooke
| [[Jennifer Jones (actor)|Phyllis Isley]]
| George Sherman
| style="text-align:left" | With Ray Corrigan (Tucson Smith) and Raymond Hatton (Rusty Joslin). Film debut of Phyllis Isley, later known as [[Jennifer Jones (actor)|Jennifer Jones]].<ref>Jennifer Jones' son, Robert Walker, Jr., appeared with Wayne in ''The War Wagon'' (1966).</ref> Wayne's last film in the "Three Mesquiteers" series and his last B-Western.
|-
! scope="row" | 88
! scope="row" | {{plainlist|
*''[[Allegheny Uprising]]''<ref>Fagen, p. 8.</ref> {{small|(US title)}}
*''The First Rebel'' {{small|(UK title)}}
}}
| RKO
| Jim Smith
| Claire Trevor
| [[William A. Seiter]]
| style="text-align:left" | Wayne has second billing under Trevor.
|}
 
===1940===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 89
! scope="row" | ''[[Dark Command]]''<ref>Fagen, pp. 119–120.</ref>
| Rep
| Bob Seton
| Claire Trevor
| Raoul Walsh
| style="text-align:left" | With Claire Trevor, [[Walter Pidgeon]], [[Roy Rogers]], and George Hayes. A fictionalized account of the infamous [[William Quantrill]].
|-
! scope="row" | 90
! scope="row" | ''[[Screen Snapshots|Screen Snapshots Series 19, No. 8: Cowboy Jubilee]]''
| Rep
| Himself
|
| Ralph Staub
| style="text-align:left" | A one-reel short also featuring [[Gene Autry]] and Roy Rogers.
|-
! scope="row" | 91
! scope="row" | ''[[Three Faces West]]''
| Rep
| John Phillips
| [[Sigrid Gurie]]
| [[Bernard Vorhaus]]
| style="text-align:left" | With [[Charles Coburn]].
|-
! scope="row" | 92
! scope="row" | ''[[The Long Voyage Home]]''
| UA
| Ole Olson
| [[Mildred Natwick]]
| John Ford
| style="text-align:left" | With [[Thomas Mitchell (actor)|Thomas Mitchell]], [[Barry Fitzgerald]], Ward Bond. Based on four one-act plays<ref>''The Moon of the Caribees, In the Zone, Bound East For Cardiff'', and ''The Long Voyage Home''.</ref> by [[Eugene O'Neill]].
|-
! scope="row" | 93
! scope="row" | {{plainlist|
*''[[Seven Sinners (1940 film)|Seven Sinners]]'' {{small|(original title)}}
*''Cafe of the Seven Sinners'' {{small|(UK re-issue title)}}
}}
| Uni
| Lt. Dan Brent
| [[Marlene Dietrich]]
| [[Tay Garnett]]
| style="text-align:left" | Wayne's first of three teamings with Dietrich.<ref>Marlene Dietrich receives top billing over Wayne in the opening credits. Posters for the film's reissue several years later gave top billing to Wayne.</ref>
|}
 
Filmographies sometimes list him as doubling for Gene Autry for the trolley car crash stunt in ''[[Melody Ranch]]'' (1940).<ref>Fagen, p. 281.</ref> This seems highly unlikely considering that Wayne had become a major star at this point in his career.
 
===1941===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 94
! scope="row" | {{plainlist|
*''[[A Man Betrayed (1941 film)|A Man Betrayed]]'' {{small|(US title)}}
*''Citadel of Crime'' {{small|(UK title)}}
*''Wheel of Fortune'' {{small|(TV title)}}
}}
| Rep
| Lynn Hollister
| [[Frances Dee]]
| John H. Auer
| style="text-align:left" | With Ward Bond
|-
! scope="row" | 95
! scope="row" | ''[[Lady from Louisiana]]''
| Rep
| John Reynolds
| [[Ona Munson]]
| Bernard Vorhaus
| style="text-align:left" | With [[Ray Middleton]], [[Henry Stephenson]].
|-
! scope="row" | 96
! scope="row" | ''[[The Shepherd of the Hills (film)|The Shepherd of the Hills]]''<ref>Fagen, p. 387.</ref>
| Par
| Matt Matthews
| [[Betty Field]]
| [[Henry Hathaway]]
| style="text-align:left" | With [[Harry Carey (actor)|Harry Carey]]. Wayne's first film in color ([[Technicolor]]).
|-
! scope="row" | 97
! scope="row" | ''Meet the Stars: Past and Present''
| Rep
| Himself
|
| Harriet Parsons
| style="text-align:left" | A promotional short.
|}
 
===1942===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 98
! scope="row" | ''[[Lady for a Night]]''
| Rep
| Jack Morgan
| [[Joan Blondell]]
| Leigh Jason
| style="text-align:left" | Wayne is billed second.
|-
! scope="row" | 99
! scope="row" | ''[[Reap the Wild Wind]]''
| Par
| Capt. Jack Stuart
| [[Paulette Goddard]]
| [[Cecil B. DeMille]]
| style="text-align:left" | With ''[[Ray Milland]]'', [[Raymond Massey]], [[Robert Preston (actor)|Robert Preston]], [[Susan Hayward]]. Filmed in Technicolor. Wayne is billed second<ref>When the film was re-issued in the 1950s Wayne and Susan Hayward received top billing in the advertisements.</ref> in this seafaring epic. His only film with DeMille.
|-
! scope="row" | 100
! scope="row" | ''[[The Spoilers (1942 film)|The Spoilers]]''<ref>Fagen, p. 404.</ref>
| Uni
| Roy Glennister
| Marlene Dietrich<br />[[Margaret Lindsay]]
| [[Ray Enright]]
| style="text-align:left" | With Randolph Scott, [[Harry Carey (actor)|Harry Carey]], Richard Barthelmess. Sprawling version of the [[Rex Beach]] [[The Spoilers (Beach novel)|novel]],<ref>This story was also filmed in 1914, 1922, 1930, and 1955 with, respectively, [[William Farnum]], [[Milton Sills]], [[Gary Cooper]], and [[Jeff Chandler (actor)|Jeff Chandler]] in the Wayne role. Farnum also plays a supporting part in the Wayne version.</ref> climaxing with an epic saloon fight between Wayne and Scott (in a rare villainous role). Wayne is billed third.
|-
! scope="row" | 101
! scope="row" | ''[[In Old California (1942 film)|In Old California]]''<ref>Fagen, p. 224.</ref>
| Rep
| Tom Craig
| [[Binnie Barnes]]
| William McGann
| style="text-align:left" | Wayne plays a pharmacist in this film, which was the occupation of his real-life father.
|-
! scope="row" | 102
! scope="row" | ''[[Flying Tigers (film)|Flying Tigers]]''
| Rep
| Jim Gordon
| [[Anna Lee]]
| [[David Miller (director)|David Miller]]
| style="text-align:left" | Wayne's first war movie.
|-
! scope="row" | 103
! scope="row" | {{plainlist|
*''[[Reunion in France]]'' {{small|(US title)}}
*''Mademoiselle France'' {{small|(UK title)}}
}}
| MGM
| Pat Talbot
| [[Joan Crawford]]
| [[Jules Dassin]]
| style="text-align:left" | With [[Philip Dorn]].
|-
! scope="row" | 104
! scope="row" | ''[[Pittsburgh (1942 film)|Pittsburgh]]''
| Uni
| Charles "Pittsburgh" Markham
| Marlene Dietrich<br />Louise Albritton
| [[Lewis Seiler]]
| style="text-align:left" | With Randolph Scott, [[Shemp Howard]]. An unrelated follow-up to the ''The Spoilers'' with the same three leads. Wayne is billed third.
|}
 
===1943===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 105
! scope="row" | ''[[A Lady Takes a Chance]]''<ref>Fagen, p. 238.</ref>
| RKO
| Duke Hudkins
| [[Jean Arthur]]
| William A. Seiter
| style="text-align:left" | Wayne billed second. Produced by [[Frank Ross (producer)|Frank Ross]], Jean Arthur's husband).
|-
! scope="row" | 106
! scope="row" | {{plainlist|
*''[[In Old Oklahoma]]''<ref>Fagen, p. 225.</ref>
*''War of the Wildcats'' {{small|(re-issue title)}}
}}
| Rep
| Dan Somers
| [[Martha Scott]]
| [[Al Rogell]]
| style="text-align:left" | With [[Albert Dekker]], George Hayes, [[Dale Evans]].
|}
 
===1944===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 107
! scope="row" | ''[[The Fighting Seabees]]''
| Rep
| Wedge Donovan
| [[Susan Hayward]]
| [[Edward Ludwig]]
| style="text-align:left" | Another war movie, this one dealing with the U.S. Navy's famed [[Seabee (US Navy)|construction battalion]].
|-
! scope="row" | 108
! scope="row" | ''[[Tall in the Saddle]]''<ref>Fagen, p. 420.</ref>
| RKO
| Rocklin
| [[Ella Raines]]
| [[Edwin L. Marin]]
| style="text-align:left" | With Ward Bond, George Hayes
|-
! scope="row" | 109
! scope="row" | ''[[Flame of Barbary Coast]]''<ref>Fagen, p. 160.</ref>
| Rep
| Duke Fergus
| [[Ann Dvorak]]
| Joseph Kane
| style="text-align:left" | With [[Joseph Schildkraut]], [[William Frawley]].
|}
 
===1945===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 110
! scope="row" | ''[[Back to Bataan]]''
| RKO
| Col. Joseph Madden
|
| [[Edward Dmytryk]]
| style="text-align:left" | With [[Anthony Quinn]], [[Beulah Bondi]].
|-
! scope="row" | 111
! scope="row" | ''[[They Were Expendable]]''
| MGM
| Lt. Rusty Ryan
| [[Donna Reed]]
| John Ford
| style="text-align:left" | With [[Robert Montgomery (actor)|Robert Montgomery]], Jack Holt, Ward Bond. Wayne gets second billing to Montgomery in this film about naval PT boats.
|-
! scope="row" | 112
! scope="row" | ''[[Dakota (film)|Dakota]]''<ref>Fagen, p. 115.</ref>
| Rep
| John Devlin
| [[Vera Hruba Ralston]]
| Joseph Kane
| style="text-align:left" | With [[Walter Brennan]], Ward Bond.
|}
 
===1946===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 113
! scope="row" | ''[[Without Reservations]]''
| RKO
| Rusty Thomas
| [[Claudette Colbert]]
| [[Mervyn LeRoy]]
| style="text-align:left" | With Don DeFore. Wayne has second billing under [[Claudette Colbert|Colbert]]. From this point on Wayne would always have top billing (except for appearances in "all-star" films or guest appearances).
|}
 
===1947===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 114
! scope="row" | ''[[Angel and the Badman]]''<ref>Fagen, pp. 11–12.</ref>
| Rep
| Quirt Evans
| [[Gail Russell]]
| [[James Edward Grant]]
| style="text-align:left" | With [[Bruce Cabot]], [[Harry Carey (actor)|Harry Carey]]. Wayne's first film as producer as well as star.
|-
! scope="row" | 115
! scope="row" | ''[[Tycoon (1947 film)|Tycoon]]''
| RKO
| Johnny Munroe
| [[Laraine Day]]
| [[Richard Wallace (director)|Richard Wallace]]
| style="text-align:left" | With [[Sir Cedric Hardwicke]], Anthony Quinn, [[Judith Anderson]], [[James Gleason]]. Location shooting at Lone Pine. Filmed in Technicolor.
|}
 
===1948===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 116
! scope="row" | ''[[Red River (1948 film)|Red River]]''<ref>Fagen, p. 341.</ref>
| Mop<br />UA
| Thomas Dunson
| [[Joanne Dru]]<br />[[Coleen Gray]]
| [[Howard Hawks]]
| style="text-align:left" | With [[Montgomery Clift]],<ref>This was Clift's first film, although the second one he made, ''[[The Search]]'' (1948), was released before ''Red River''.</ref> Walter Brennan, [[John Ireland (actor)|John Ireland]], [[Harry Carey (actor)|Harry Carey]], [[Harry Carey, Jr.]], [[Noah Beery, Jr.]], [[Hank Worden]]. Generally regarded as one of Wayne's finest films and finest performances. His first film with director Hawks.
|-
! scope="row" | 117
! scope="row" | ''[[Fort Apache (film)|Fort Apache]]''<ref>Fagen, pp. 164–166.</ref>
| Arg<br />RKO
| Capt. Kirby York
| [[Shirley Temple]]
| John Ford
| style="text-align:left" | With [[Henry Fonda]], [[John Agar]], Victor McLaglen, Ward Bond, George O'Brien. The first of Ford's "cavalry trilogy." Filmed on location in Monument Valley.
|-
! scope="row" | 118
! scope="row" | ''[[3 Godfathers]]''<ref>Fagen, pp. 431–432.</ref>
| Arg<br />MGM
| Robert Marmaduke Hightower
| [[Mildred Natwick]]
| John Ford
| style="text-align:left" | Filmed in Technicolor on location in [[Death Valley, California]].<ref>Also filmed as ''Marked Men'' (1919), ''Hell's Heroes'' (1930), and ''Three Godfathers'' (1936) with, respectively, [[Harry Carey (actor)|Harry Carey]], [[Charles Bickford]], and [[Chester Morris]] in the Wayne role.</ref>
|-
! scope="row" | 119
! scope="row" | ''[[Wake of the Red Witch]]''
| Rep
| Capt. Ralls
| Gail Russell
| Edward Ludwig
| style="text-align:left" | With [[Gig Young]], [[Adele Mara]], [[Luther Adler]].
|}
 
===1949===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 120
! scope="row" | ''[[The Fighting Kentuckian]]''<ref>Fagen, p. 155.</ref>
| Rep
| John Breen
| [[Vera Hruba Ralston]]
| [[George Waggner]]
| style="text-align:left" | With [[Philip Dorn]], [[Oliver Hardy]],<ref>One of only three sound films Hardy did without comic partner [[Stan Laurel]].</ref> [[Marie Windsor]]. Wayne produced this film.
|-
! scope="row" | 121
! scope="row" | ''[[She Wore a Yellow Ribbon]]''<ref>Fagen, p. 388.</ref>
| Arg<br />RKO
| Capt. Nathan Brittles
| [[Joanne Dru]]
| John Ford
| style="text-align:left" | With [[John Agar]], Victor McLaglen, Harry Carey, Jr., [[Mildred Natwick]], George O'Brien. The second film in Ford's "cavalry trilogy." Filmed in Technicolor on location in Monument Valley.
|-
! scope="row" | 122
! scope="row" | ''Screen Snapshots: Hollywood Rodeo''
| Col
| Himself
|
| [[Ralph Staub]]
| style="text-align:left" | A documentary short.
|-
! scope="row" | 123
! scope="row" | ''[[Sands of Iwo Jima]]''
| Rep
| Sgt. John M. Stryker
| [[Adele Mara]]<br />[[Julie Bishop (actress)|Julie Bishop]]
| [[Allan Dwan]]
| style="text-align:left" | With [[John Agar]], [[Forrest Tucker]]. Wayne received his first [[Academy Award]] nomination for this film.
|}
 
After filming ''Sands of Iwo Jima'' Wayne made ''[[Jet Pilot (film)|Jet Pilot]]''. However, it was not released theatrically until 1957. Therefore, it appears under that year of release.
 
===1950===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 124
! scope="row" | ''[[Rio Grande (film)|Rio Grande]]''<ref>Fagen, pp. 360–361.</ref><ref>The working title for ''Rio Grande'' was ''Rio Bravo'', which was also the title used for a 1959 Wayne Western. The title ''Rio Grande'' had been used for a 1949 B-Western starring Sunset Carson (Fagen, p. 360).</ref>
| Arg<br />Rep
| Lt. Col. Kirby Yorke<ref>The character Wayne played here and in [[Fort Apache (film)|Fort Apache]] is the same character (just as it is in the short stories on which they are based), but here the character's last name has an added "e".</ref>
| [[Maureen O'Hara]]
| John Ford
| style="text-align:left" | With [[Ben Johnson (actor)|Ben Johnson]], [[Claude Jarman, Jr.]], Harry Carey, Jr., and Victor McLaglen. The last of Ford's "cavalry trilogy" and Wayne's first of five teamings with [[Maureen O'Hara|O'Hara]]. Filmed on location in Monument Valley.
|}
 
===1951===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 125
! scope="row" | ''Screen Snapshots: Reno's Silver Spur Awards''
| Col
| Himself
|
| Ralph Staub
| style="text-align:left" | A documentary short.
|-
! scope="row" | 126
! scope="row" | ''[[Operation Pacific]]''
| WB
| "Duke" Gifford
| [[Patricia Neal]]
| George Waggner
| style="text-align:left" | With Ward Bond.
|-
! scope="row" | 127
! scope="row" | ''The Screen Director''
| WB
| Himself
|
|
| style="text-align:left" | A promotional short featuring a scene on the set of ''[[Operation Pacific]]'' with John Ford directing Wayne. (Actually, George Waggner was the director of that film, so this scene was obviously staged.)
|-
! scope="row" | 128
! scope="row" | ''Screen Snapshots: Hollywood Awards''
| Col
| Himself
|
| Ralph Staub
| style="text-align:left" | A documentary short.
|-
! scope="row" | 129
! scope="row" | ''[[Flying Leathernecks]]''
| RKO
| Major Dan Kirby
|
| [[Nicholas Ray]]
| style="text-align:left" | With [[Robert Ryan]]. Produced by [[Howard Hughes]].
|}
 
===1952===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 130
! scope="row" | ''Miracle in Motion''
| Rep
| Narrator
|
|
| style="text-align:left" | Wayne narrates this fund-raiser for the benefit of the United Cerebral Palsy Foundation.
|-
! scope="row" | 131
! scope="row" | ''[[The Quiet Man]]''
| Arg<br />Rep
| Sean Thornton
| Maureen O'Hara
| John Ford
| style="text-align:left" | Filmed in Technicolor on location in Ireland. One of Wayne's most beloved films. His children Michael, Patrick, Melinda, and Antonia have small roles in the film.
|-
! scope="row" | 132
! scope="row" | ''[[Big Jim McLain]]''
| W-F<br />WB
| Big Jim McLain
| Nancy Olsen
| Edward Ludwig
| style="text-align:left" | With [[James Arness]], [[Alan Napier]]. An anti-communist action film. Produced by Wayne.
|}
 
===1953===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 133
! scope="row" | ''[[Trouble Along the Way]]''
| WB
| Steve Aloysius Williams
| Donna Reed
| Michael Curtiz
| style="text-align:left" | With [[Charles Coburn]], [[Sherry Jackson]].
|-
! scope="row" | 134
! scope="row" | ''[[Island in the Sky (1953 film)|Island in the Sky]]''
| W-F<br />WB
| Capt. Dooley
|
| [[William A. Wellman]]
| style="text-align:left" | With [[Lloyd Nolan]], [[Walter Abel]], James Arness. Wayne also produced.
|-
! scope="row" | 135
! scope="row" | ''[[Hondo (film)|Hondo]]''<ref>Fagen, p. 214.</ref>
| W-F<br />WB
| Hondo Lane
| [[Geraldine Page]]
| [[John Farrow]]
| style="text-align:left" | With Ward Bond, [[Michael Pate]], James Arness. Based on a story by [[Louis L'Amour]]. Filmed in [[3-D film|3D]] and WarnerColor. Wayne also produced.
|}
 
===1954===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 136
! scope="row" | ''[[The High and the Mighty (film)|The High and the Mighty]]''
| WB<br />W-F<br />Batjac<br />Par
| Dan Roman
| Claire Trevor<br />[[Laraine Day]]<br />[[Jan Sterling]]
| William A. Wellman
| style="text-align:left" | With [[Robert Stack]], [[Phil Harris]], [[Robert Newton]], [[Paul Kelly (actor)|Paul Kelly]]. Wayne also produced this aviation drama. A big hit in its day, filmed in [[CinemaScope]] and WarnerColor. This was Wayne's first wide-screen film since ''The Big Trail'' (1930).
|}
 
===1955===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 137
! scope="row" | ''[[The Sea Chase]]''
| WB
| Capt. Karl Ehrlich
| [[Lana Turner]]
| John Farrow
| style="text-align:left" | With [[David Farrar (actor)|David Farrar]], [[Tab Hunter]], James Arness. Filmed in CinemaScope and WarnerColor on location in [[Hawaii]]. Wayne took an unusual role as a World War II German naval officer.
|-
! scope="row" | 138
! scope="row" | ''Screen Snapshots: The Great Al Jolson''
| Col
| Himself
|
| Ralph Staub
| style="text-align:left" | A documentary short salute [[Al Jolson|Jolson]]. Wayne is one of the celebrities shown in the film.
|-
! scope="row" | 139
! scope="row" | ''[[Blood Alley]]''
| WB
| Captain Tom Wilder
| [[Lauren Bacall]]
| William A. Wellman
| style="text-align:left" | Filmed in CinemaScope and WarnerColor. Wayne produced this film and replaced [[Robert Mitchum]] after firing him.
|}
 
===1956===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 140
! scope="row" | ''[[The Conqueror (film)|The Conqueror]]''
| RKO
| [[Genghis Khan|Temüjin]] {{small|([[Genghis Khan]])}}
| [[Susan Hayward]]
| [[Dick Powell]]
| style="text-align:left" | With [[Pedro Armendáriz]], [[Agnes Moorehead]]. Filmed in CinemaScope and Technicolor. Produced by Howard Hughes. Generally regarded as one of the [[worst movies ever made]].
|-
! scope="row" | 141
! scope="row" | ''[[The Searchers (film)|The Searchers]]''<ref>Fagen, pp. 378–379.</ref>
| CVW<br />WB
| Ethan Edwards
| [[Vera Miles]]<br />[[Natalie Wood]]<br />[[Dorothy Jordan (film actress)|Dorothy Jordan]]
| John Ford
| style="text-align:left" | With [[Jeffrey Hunter]], Ward Bond, [[Henry Brandon (actor)|Henry Brandon]], [[Olive Carey]], [[John Qualen]], [[Hank Worden]], [[Patrick Wayne]], Harry Carey, Jr. . Filmed in [[VistaVision]] and Technicolor. Generally regarded as one of the greatest movies ever made.
|}
 
===1957===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 142
! scope="row" ! scope="row" | ''[[The Wings of Eagles]]''
| MGM
| [[Frank Wead|Frank "Spig" Wead]]
| Maureen O'Hara
| John Ford
| style="text-align:left" | With [[Dan Dailey]], Ward Bond,<ref>Ward Bond plays a movie director named "John Dodge", an obvious spoof of the film's real director, John Ford.</ref> [[Ken Curtis]], [[Edmund Lowe]]. Filmed in Metrocolor.
|-
! scope="row" | 143
! scope="row" | ''[[Jet Pilot (1957 film)|Jet Pilot]]''
| RKO<br />Uni
| Colonel Jim Shannon
| [[Janet Leigh]]
| [[Josef von Sternberg]]
| style="text-align:left" | Filmed in Technicolor and released in RKO-Scope. Shot in 1949–50 but not released until 1957. Produced by Howard Hughes. Generally regarded as one of Wayne's worst films.
|-
! scope="row" | 144
! scope="row" | ''[[Legend of the Lost]]''
| Batjac<br />UA
| Joe January
| [[Sophia Loren]]
| Henry Hathaway
| style="text-align:left" | With Rossano Brazzi. Filmed in [[Technirama]] and Technicolor on location in the Libyan desert.
|}
 
===1958===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 145
! scope="row" | ''[[I Married a Woman]]''
| RKO<br />Uni
| Himself
| [[Angie Dickinson]]
| [[Hal Kanter]]
| style="text-align:left" | Wayne has an unbilled cameo in this minor comedy starring [[George Gobel]] and [[Diana Dors]]. Filmed in RKO-Scope and black and white except for one of Wayne's two scenes, which was shot in Technicolor.
|-
! scope="row" | 146
! scope="row" | ''[[The Barbarian and the Geisha]]''
| 20th
| [[Townsend Harris]]
| Eiko Ando
| [[John Huston]]
| style="text-align:left" | With [[Sam Jaffe (actor)|Sam Jaffe]]. Inspired by a true story. Filmed in CinemaScope and [[Eastmancolor]].
|}
 
===1959===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 147
! scope="row" | ''[[Rio Bravo (1959 film)|Rio Bravo]]''<ref>Fagen, pp. 358–359.</ref>
| Arm<br />WB
| John T. Chance
| Angie Dickinson
| Howard Hawks
| style="text-align:left" | With [[Dean Martin]], [[Ricky Nelson]], Walter Brennan, Ward Bond, [[John Russell (actor)|John Russell]], [[Claude Akins]]. Generally regarded as one of Wayne's best, provided the template and format for many of his later films.
|-
! scope="row" | 148
! scope="row" | ''[[The Horse Soldiers]]''<ref>Fagen, pp. 218–219.</ref>
| UA
| Col. John Marlowe
| [[Constance Towers]]
| John Ford
| style="text-align:left" | With [[William Holden]], [[Hoot Gibson]]. Filmed in Deluxe color.
|}
 
===1960===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 149
! scope="row" | ''[[The Alamo (1960 film)|The Alamo]]''<ref>Fagen, p. 6.</ref>
| Batjac<br />UA
| [[Davy Crockett|Col. David Crockett]]
| [[Linda Cristal]]
| John Wayne
| style="text-align:left" | With [[Richard Widmark]], [[Laurence Harvey]], [[Richard Boone]], [[Chill Wills]], [[Frankie Avalon]], Patrick Wayne. Wayne fulfilled a long-time dream by producing, directing, and starring in this epic telling of the [[Battle of the Alamo|battle]] for Texas independence. Filmed in [[Todd-AO]] and Technicolor.
|-
! scope="row" | 150
! scope="row" | ''[[North to Alaska]]''<ref>Fagen, p. 293.</ref>
| 20th
| Sam McCord
| [[Capucine]]
| Henry Hathaway
| style="text-align:left" | With [[Stewart Granger]], [[Ernie Kovacs]], [[Fabian (entertainer)|Fabian]]. Filmed in CinemaScope and Deluxe color.
|}
 
===1961===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 151
! scope="row" | ''The Challenge of Ideas''
| <ref name="Defense">Produced by U.S. Information Agency</ref>
| Himself
|
|
| style="text-align:left" | An anti-communist propaganda short. With [[Jack Webb]], [[Helen Hayes]], [[Chet Huntley]].
|-
! scope="row" | 152
! scope="row" | ''[[The Comancheros (film)|The Comancheros]]''<ref>Fagen, p. 99.</ref>
| 20th
| Jake Cutter
| [[Ina Balin]]
| Michael Curtiz
| style="text-align:left" | With [[Stuart Whitman]], [[Lee Marvin]], Bruce Cabot, Patrick Wayne. Filmed in CinemaScope and Deluxe color. The last film directed by Curtiz.<ref>Reputedly, Curtiz was extremely ill during of the shooting and, as a result, the majority of the film was directed by Wayne, who refused to take credit.</ref>
|}
 
===1962===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 153
! scope="row" | ''[[The Man Who Shot Liberty Valance]]''<ref>Fagen, pp. 274–275.</ref>
| Par
| Tom Doniphon
| Vera Miles
| John Ford
| style="text-align:left" | With James Stewart,<ref>James Stewart received top billing over Wayne in the film's advertisements, but Wayne has top billing in the film's opening credits.</ref> Lee Marvin, [[Woody Strode]], Andy Devine.
|-
! scope="row" | 154
! scope="row" | ''[[Hatari!]]''
| Par
| Sean Mercer
| [[Elsa Martinelli]]
| Howard Hawks
| style="text-align:left" | With [[Red Buttons]], [[Hardy Kruger]], Bruce Cabot. Filmed in Technicolor on location in [[Tanganyika]].
|-
! scope="row" | 155
! scope="row" | ''[[The Longest Day (film)|The Longest Day]]''
| 20th
| [[Benjamin H. Vandervoort|Lt.Col. Benjamin Vandervoort]]
|
| [[Ken Annakin]]<br />Andrew Marton<br />Bernard Wicki<br />[[Darryl F. Zanuck]]<br />[[Gerd Oswald]]
| style="text-align:left" | Wayne was part of an all-star cast in this epic retelling of the [[D-Day]] invasion of June 6, 1944. Filmed in black and white and CinemaScope.
|-
! scope="row" | 156
! scope="row" | ''[[How the West Was Won (film)|How the West Was Won]]''<ref>Fagen, p. 220.</ref>
| MGM
| Gen. [[William Tecumseh Sherman]]<ref>Wayne had originally played Sherman in an episode of the TV series ''[[Wagon Train]]'' entitled "The Colton Craven Story." That episode was directed by John Ford.</ref>
|
| John Ford<br />Henry Hathaway<br />[[George Marshall]]
| style="text-align:left" | An all-star epic. Wayne appeared in the American Civil War sequence directed by Ford. Also appearing in this sequence were [[George Peppard]], [[Russ Tamblyn]], and [[Harry Morgan]] (as [[Ulysses S. Grant]]). Filmed in Technicolor<ref>Technicolor prints were apparently used for only the [[Cinerama]] presentation while general release print used Metrocolor.</ref> and Cinerama.
|}
 
===1963===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 157
! scope="row" | ''[[Donovan's Reef]]''
| Par
| Michael Patrick Donovan
| [[Elizabeth Allen (actress)|Elizabeth Allen]]
| John Ford
| style="text-align:left" | With Lee Marvin, [[Jack Warden]], [[Cesar Romero]]. Filmed in Technicolor on location in Kauai, Hawaii. Wayne's last film with director John Ford.<ref>Aside from the documentary film ''Chesty: Tribute to a Legend'' (1976).</ref>
|-
! scope="row" | 158
! scope="row" | ''[[McLintock!]]''<ref>Fagen, p. 280.</ref>
| Batjac<br />UA
| George Washington McLintock
| Maureen O'Hara
| [[Andrew V. McLaglen]]
| style="text-align:left" | With Patrick Wayne, [[Stefanie Powers]], Bruce Cabot, [[Yvonne de Carlo]]. A big favorite with Wayne fans. His first film with director McLaglen. Filmed in [[Panavision]] and Technicolor.
|}
 
===1964===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 159
! scope="row" | {{plainlist|
*''[[Circus World (film)|Circus World]]'' {{small|(US title)}}
*''The Magnificent Showman'' {{small|(UK title)}}
}}
| SB<br />UA
| Matt Masters
| [[Claudia Cardinale]]<br />[[Rita Hayworth]]
| Henry Hathaway
| style="text-align:left" | With Lloyd Nolan, [[Richard Conte]], John Smith. Filmed in 70&nbsp;mm Super Technirama and Technicolor. Originally presented in Cinerama.
|}
 
===1965===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 160
! scope="row" | ''[[The Greatest Story Ever Told]]''
| UA
| The Centurion ([[St. Longinus|Longinus]])
|
| [[George Stevens]]
| style="text-align:left" | Director Stevens' large-scale telling of the life of Jesus Christ (played by [[Max von Sydow]]) with an all-star supporting cast. Wayne has a cameo as the Roman centurion who leads Christ to his crucifixion.
|-
! scope="row" | 161
! scope="row" | ''[[In Harm's Way]]''
| Sig<br />Par
| Capt. Rockwell Torrey
| [[Patricia Neal]]
| [[Otto Preminger]]
| style="text-align:left" | With [[Kirk Douglas]], [[Tom Tryon]], [[Paula Prentiss]], [[Burgess Meredith]], [[Brandon deWilde]], [[Henry Fonda]]. Filmed in Panavision. Wayne's last film in black and white.
|-
! scope="row" | 162
! scope="row" | ''[[The Sons of Katie Elder]]''<ref>Fagen, pp. 402–403.</ref>
| Par
| John Elder
| [[Martha Hyer]]
| Henry Hathaway
| style="text-align:left" | With Dean Martin, [[Earl Holliman]]. Filmed in Panavision and Technicolor on location near [[Durango]], Mexico.
|}
 
===1966===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 163
! scope="row" | ''[[Cast a Giant Shadow]]''
| Batjac<br />UA
| Gen. Mike Randolph
|
| [[Melville Shavelson]]
| style="text-align:left" | With Kirk Douglas, [[Senta Berger]]. Wayne, [[Yul Brynner]], and [[Frank Sinatra]] did guest star appearances in the biopic of [[Mickey Marcus|Col. David "Mickey" Marcus]] (Douglas). Filmed in Technicolor.
|-
! scope="row" | 164
! scope="row" | ''[[El Dorado (1966 film)|El Dorado]]''<ref>Fagen, p. 142.</ref>
| Par
| Cole Thornton
| Charlene Holt<br />[[Michele Carey]]
| Howard Hawks
| style="text-align:left" | With Robert Mitchum, [[James Caan (actor)|James Caan]], [[Arthur Hunnicutt]], [[Edward Asner]]. Filmed in Technicolor on location in Arizona. Filmed before, but released after, ''The War Wagon''.
|}
 
===1967===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 165
! scope="row" | ''A Nation Builds Under Fire''
| <ref>U.S. Department of Defense / Armed Forces Information & Education</ref>
| Himself
|
| Harry Middleton
| style="text-align:left" | A documentary short dealing with Vietnam.
|-
! scope="row" | 166
! scope="row" | ''[[The War Wagon]]''<ref>Fagen, p. 475.</ref>
| Batjac<br />Uni
| Taw Jackson
|
| [[Burt Kennedy]]
| style="text-align:left" | With Kirk Douglas, [[Howard Keel]], [[Robert Walker, Jr.]],<ref>Walker Jr's mother, actress Jennifer Jones, made her film debut opposite Wayne in ''New Frontier'' (1939).</ref> Bruce Cabot. Filmed in Panavision and Technicolor on location in Durango.
|}
 
===1968===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 167
! scope="row" | ''[[The Green Berets (film)|The Green Berets]]''
| Batjac<br />WB
| Col. Mike Kirby
| <ref>Vera Miles appeared in some scenes as Wayne's wife, but these were cut from the final print.</ref>
| John Wayne<br />[[Ray Kellogg]]
| style="text-align:left" | With [[David Janssen]], [[Jim Hutton]], [[Aldo Ray]], Bruce Cabot, [[George Takei]]. Wayne's controversial take on the [[Vietnam War]]. Filmed in Panavision and Technicolor on location at [[Fort Benning]], [[Georgia (U.S. state)|Georgia]]. Co-directed by an uncredited [[Mervyn LeRoy]], but credit given instead to Ray Kellogg.
|-
! scope="row" | 168
! scope="row" | ''[[Hellfighters (film)|Hellfighters]]''
| Uni
| Chance Buckman
| [[Katharine Ross]]<br />Vera Miles
| Andrew V. McLaglen
| style="text-align:left" | With Jim Hutton, Bruce Cabot, [[Jay C. Flippen]]. Wayne's character was based on real-life "hellfighter" [[Red Adair]]. Filmed in Panavision and Technicolor.
|}
 
===1969===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 169
! scope="row" | ''[[True Grit (1969 film)|True Grit]]''<ref>Fagen, pp. 447–448.</ref>
| Par
| [[Rooster Cogburn (character)|U.S. Marshal Reuben J. "Rooster" Cogburn]]
| [[Kim Darby]]
| Henry Hathaway
| style="text-align:left" | With [[Glen Campbell]], [[Jeremy Slate]], [[Robert Duvall]], [[Strother Martin]], [[Jeff Corey]]. Wayne's Academy Award winning performance and his last film with Hathaway. Filmed in Technicolor.
|-
! scope="row" | 170
! scope="row" | ''[[The Undefeated (1969 film)|The Undefeated]]''<ref>Fagen, p. 453.</ref>
| 20th
| Col. John Henry Thomas
|
| Andrew V. McLaglen
| style="text-align:left" | With [[Rock Hudson]], [[Roman Gabriel]], [[Lee Meriwether]]. Filmed in Panavision and Deluxe color.
|}
 
===1970===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 171
! scope="row" | ''No Substitute for Victory''
| AK
| Narrator
|
| Robert F. Slatzer
| style="text-align:left" | A short in support of America's involvement in the Vietnam War. With [[Mark W. Clark|General Mark Clark]], [[Martha Raye]], [[Sam Yorty]], General [[William Westmoreland]], and [[Lowell Thomas]].
|-
! scope="row" | 172
! scope="row" | ''[[Chisum]]''<ref>Fagen, pp. 87–89.</ref>
| Batjac<br />WB
| [[John Chisum]]
| Pamela McMyler
| Andrew V. McLaglen
| style="text-align:left" | With [[Forrest Tucker]], [[Christopher George]], Bruce Cabot, [[Patric Knowles]], [[Geoffrey Deuel]] (as [[Billy the Kid]]), [[Glenn Corbett]] (as [[Pat Garrett]]). Filmed in Panavision and Technicolor.
|-
! scope="row" | 173
! scope="row" | ''[[Rio Lobo]]''<ref>Fagen, p. 361.</ref>
| Par
| Cord McNally
| [[Jennifer O'Neill]]
| Howard Hawks
| style="text-align:left" | With [[Jorge Rivero]], [[Jack Elam]], [[Chris Mitchum]], [[Sherry Lansing]], [[George Plimpton]].<ref>George Plimpton made a TV documentary about the making of this film. In this documentary, entitled "Shoot-out at Rio Lobo", Wayne, by accident, would frequently refer to Plimpton as "Pimpleton."</ref> Wayne's last film with Hawks. Filmed in Technicolor.
|}
 
===1971===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 174
! scope="row" | ''[[Big Jake (film)|Big Jake]]''<ref>Fagen, pp. 37–38.</ref>
| Batjac<br />Par
| Jacob McCandles
| Maureen O'Hara
| George Sherman
| style="text-align:left" | With Richard Boone, Patrick Wayne, Chris Mitchum, Bruce Cabot. Filmed in Panavision and Technicolor.
|-
! scope="row" | 175
! scope="row" | ''Directed by John Ford''
| AFI
| Himself
|
| [[Peter Bogdanovich]]
| style="text-align:left" | A documentary, narrated by [[Orson Welles]].
|}
 
===1972===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 176
! scope="row" | ''[[The Cowboys]]''<ref>Fagen, pp. 108–110.</ref>
| WB
| Wil Andersen
| Sarah Cunningham
| [[Mark Rydell]]
| style="text-align:left" | With [[Roscoe Lee Browne]], [[Bruce Dern]], [[Colleen Dewhurst]]. Filmed in Panavision 70 and Technicolor. Later a TV series.
|-
! scope="row" | 177
! scope="row" | ''Cancel My Reservation''
| WB
| Himself
|
| Paul Bogart
| style="text-align:left" | Wayne, [[Bing Crosby]], [[Johnny Carson]], and [[Flip Wilson]] made brief, unbilled cameo appearances in this [[Bob Hope]] comedy. Filmed in Technicolor.
|}
 
===1973===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 178
! scope="row" | ''[[The Train Robbers]]''<ref>Fagen, p. 444.</ref>
| Batjac<br />WB
| Lane
| [[Ann-Margret]]
| Burt Kennedy
| style="text-align:left" | With [[Rod Taylor]], Ben Johnson, [[Christopher George]], [[Ricardo Montalbán]]. Filmed in Panavision and Technicolor.
|-
! scope="row" | 179
! scope="row" | {{plainlist|
*''[[Cahill U.S. Marshal|Cahill, United States Marshal]]''<ref>Fagen, p. 70.</ref> {{small|(US title)}}
*''Cahill'' {{small|(UK title)}}
}}
| Batjac<br />WB
| J.D. Cahill
| [[Marie Windsor]]
| Andrew V. McLaglen
| style="text-align:left" | With [[George Kennedy]], Gary Grimes, [[Neville Brand]], Clay O'Brien. Filmed in Panavision and Technicolor.
|}
 
===1974===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 180
! scope="row" | ''[[McQ]]''
| Batjac<br />L-G<br />WB
| Det. Lt. Lon McQ
| [[Diana Muldaur]]<br />[[Colleen Dewhurst]]<br />[[Julie Adams]]
| [[John Sturges]]
| style="text-align:left" | With [[Eddie Albert]], [[Clu Gulager]]. Filmed in Panavision and Technicolor.
The first of Wayne's two cop films made in the wake of [[Clint Eastwood]]'s success with ''[[Dirty Harry]]'' (1971).
|}
 
===1975===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | Thứ tự
! scope="col" style="background:#CB9" width="180" | Tên phim
! scope="col" style="background:#CB9" width="45" | Hãng phim
! scope="col" style="background:#CB9" width="120" | Vai diễn
! scope="col" style="background:#CB9" width="120" | Nữ diễn viên chính
! scope="col" style="background:#CB9" width="120" | Đạo diễn
! scope="col" style="background:#CB9" | Ghi chú
|-
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | No.
! scope="col" style="background:#CB9" width="180" | Title
! scope="col" style="background:#CB9" width="45" | Studio
! scope="col" style="background:#CB9" width="120" | Role
! scope="col" style="background:#CB9" width="120" | Leading lady
! scope="col" style="background:#CB9" width="120" | Director
! scope="col" style="background:#CB9" | Notes
|-
! scope="row" | 181
! scope="row" | ''[[Brannigan (film)|Brannigan]]''
| UA
| Brannigan
| [[Judy Geeson]]
| [[Douglas Hickox]]
| style="text-align:left" | With [[Richard Attenborough]], [[Mel Ferrer]]. Filmed in Panavision and Deluxe colour on location in London.
|-
! scope="row" | 182
! scope="row" | ''[[Rooster Cogburn (film)|Rooster Cogburn]]''<ref>Fagen, p. 366.</ref>
| Uni
| [[Rooster Cogburn (character)|Marshal Reuben J. "Rooster" Cogburn]]<ref>[[Warren Oates]] would play Rooster Cogburn in a 1978 TV film entitled ''[[True Grit: A Further Adventure]]''.</ref>
| [[Katharine Hepburn]]
| Stuart Millar
| style="text-align:left" | With [[Anthony Zerbe]], [[Richard Jordan]], [[John McIntire]], [[Strother Martin]]. Filmed in Panavision and Technicolor on location in Oregon.
|}
 
===1976===
{| class="wikitable" width="100%" style="text-align:center"
! scope="col" style="background:#CB9" width="35" | Thứ tự
! scope="col" style="background:#CB9" width="180" | Tên phim
! scope="col" style="background:#CB9" width="45" | Hãng phim
! scope="col" style="background:#CB9" width="120" | Vai diễn
! scope="col" style="background:#CB9" width="120" | Nữ diễn viên chính
! scope="col" style="background:#CB9" width="120" | Đạo diễn
! scope="col" style="background:#CB9" | Ghi chú
|-
! scope="row" | 183
! scope="row" | ''Chesty: Tribute to a Legend''
|
| Himself
|
| John Ford
| style="text-align:left" | A tribute documentary on the most decorated U.S. Marine, [[Chesty Puller|Gen. Lewis B. "Chesty" Puller]]. Completed in 1970, but not released until 1976, three years after Ford's death.
|-
! scope="row" | 184
! scope="row" | ''[[The Shootist]]''<ref>Fagen, pp. 389–390.</ref>
| DDL<br />PA
| John Bernard Books
| [[Lauren Bacall]]<br />[[Sheree North]]
| [[Don Siegel]]
| style="text-align:left" | With [[Ron Howard]], James Stewart, John Carradine, [[Hugh O'Brian]], [[Harry Morgan]], Richard Boone. Filmed in Technicolor.
|}
 
==Tham khảo==
Lấy từ “https://vi.wikipedia.org/wiki/John_Wayne”