Wikipedia

Nhạc điện tử

Thể loại nhạc

Nhạc điện tử là một loại hình âm nhạc sử dụng nhạc cụ điện tử và công nghệ âm nhạc điện tử trong quá trình sản xuất.[1] Một cách tổng quát, sự khác biệt được tạo ra trong âm thanh được sản xuất ra bằng cách sử dụng công cụ điện tử đồng nghĩa với việc sản xuất sử dụng công nghệ điện tử.[2] Một ví dụ về những công cụ sản xuất âm thanh điện tử là guitar điện. Những âm thanh thuần điện tử có thể được tạo ra nhờ các thiết bị như theremin, bộ tổng hợp âm thanh, và máy tính.

Telharmonium, Thaddeus Cahill 1897
Trautonium, 1928

Nhạc điện tử hiện nay rất đa dạng, bao trùm từ nhạc nghệ thuật thử nghiệm tới những loại nhạc đại chúng như electronic dance music (EDM).

Chú thích

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  1. ^ "The novelty of making music with electronic instruments has long worn off. The use of electronics to compose, organize, record, mix, color, stretch, randomize, project, perform, and distribute music is now intimately woven into the fabric of modern experience" (Holmes 2002, 1).
  2. ^ "The stuff of electronic music is electrically produced or modified sounds.... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" (Holmes 2002, 6).

Tham khảo

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Đọc thêm

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  • Bogdanov, Vladimir, Chris Woodstra, Stephen Thomas Erlewine, and John Bush (editors). 2001. The All Music Guide to Electronica: The Definitive Guide to Electronic Music. AMG Allmusic Series. San Francisco: Backbeat Books. ISBN 0-87930-628-9
  • Cummins, James. 2008. Ambrosia: About a Culture - An Investigation of Electronica Music and Party Culture. Toronto, ON: Clark-Nova Books. ISBN 978-0-9784892-1-2
  • Heifetz, Robin J. (ed.). 1989. "On The Wires of Our Nerves: The Art of Electroacoustic Music". Cranbury, NJ: Associated University Presses. ISBN 0-8387-5155-5
  • Kahn Douglas. 1999. Noise, Water, Meat: A History of Sound in the Arts. Cambridge, MA: MIT Press. ISBN 0-262-11243-4 New edition 2001, ISBN 0-262-61172-4
  • Kettlewell, Ben. 2001. Electronic Music Pioneers. [N.p.]: Course Technology, Inc. ISBN 1-931140-17-0
  • Licata, Thomas (ed.). 2002. Electroacoustic Music: Analytical Perspectives. Westport, CT: Greenwood Press. ISBN 0-313-31420-9
  • Manning, Peter. 2004. Electronic and Computer Music. Revised and expanded edition. Oxford and New York: Oxford University Press. ISBN 0-19-514484-8 (cloth) ISBN 0-19-517085-7 (pbk)
  • Prendergast, Mark. 2001. The Ambient Century: From Mahler to Trance: The Evolution of Sound in the Electronic Age. Forward [sic] by Brian Eno. New York: Bloomsbury. ISBN 0-7475-4213-9, ISBN 1-58234-134-6 (hardcover eds.) ISBN 1-58234-323-3 (paper)
  • Reynolds, Simon. 1998. Energy Flash: A Journey Through Rave Music and Dance Culture. London: Pan Macmillan. ISBN 0-330-35056-0 (US title, Generation Ecstasy: Into the World of Techno and Rave Culture. Boston: Little, Brown, 1998 ISBN

0316741116; New York: Routledge, 1999 ISBN 0-415-92373-5)

  • Schaefer, John. 1987. New Sounds: A Listener's Guide to New Music. New York: Harper Collins. ISBN 0-06-097081-2
  • Shapiro, Peter (editor). 2000. Modulations: a History of Electronic Music: Throbbing Words on Sound. New York: Caipirinha Productions ISBN 1-891024-06-X
  • Sicko, Dan. 1999. Techno Rebels: The Renegades of Electronic Funk. New York: Billboard Books. ISBN 0-8230-8428-0
  • Edward A. Shanken, Art and Electronic Media. London: Phaidon, 2009. ISBN 978-0-7148-4782-5

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