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n →‎Nhạc dân gian truyền thống: fixes, replaced: cite → chú thích (7)
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===Nhạc dân gian truyền thống===
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*{{chú thíchcite journal |last=Bayard |first=Samuel P. |year=1950 |title=Prolegomena to a Study of the Principal Melodic Families of British-American Folk Song |journal=The Journal of American Folklore |volume=63 |issue=247 |pages=1–44 |jstor=537347}} Reprinted in McAllester, David Park (ed.) (1971) ''Readings in [[ethnomusicology]]'' New York: Johnson Reprint. {{oclc|2780256}}
*{{chú thíchcite journal |last=Bearman |first=C. J. |year=2000 |title=Who Were the Folk? The Demography of Cecil Sharp's Somerset Folk Singers |journal=The Historical Journal |volume=43 |issue=3 |pages=751–75 |jstor=3020977 |doi=10.1017/s0018246x99001338}}
*Bevil, Jack Marshall (1984). ''Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition''. PhD Thesis, North Texas University, Ann Arbor: University Microfilms International. {{oclc|12903203}}
*{{chú thíchcite journal |last=Bevil |first1=J. Marshall |year=1986 |url=http://symposium.music.org/index.php?option=com_k2&view=item&id=2005:scale-in-southern-appalachian-folksong-a-reexamination&Itemid=124 |title=Scale in Southern Appalachian Folksong: A Reexamination |journal=College Music Symposium |volume=26 |pages=77–91
Published by: College Music Society |jstor=40373824}}
*Bevil, Jack Marshall (1987). "A Paradigm of Folktune Preservation and Change Within the Oral Tradition of a Southern Appalachian Community, 1916–1986." Unpublished. Read at the 1987 National Convention of the American Musicological Society, New Orleans.
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*{{chú thích web|last=Matthews |first=Scott |title=John Cohen in Eastern Kentucky: Documentary Expression and the Image of Roscoe Halcomb During the Folk Revival |work=[[Southern Spaces]] |year=2008 |url=http://southernspaces.org/2008/john-cohen-eastern-kentucky-documentary-expression-and-image-roscoe-halcomb-during-folk-revival}} (August 6){{Page needed|date=August 2009}}
* Karpeles, Maud. ''An Introduction to English Folk Song''. 1973. Oxford. Oxford University Press.
*{{chú thíchcite journal |last1=Keller |first1=Marcello Sorce |year=1984 |title=The Problem of Classification in Folksong Research: A Short History |journal=Folklore |volume=95 |issue=1 |pages=100–4 |jstor=1259763 |doi=10.1080/0015587x.1984.9716300}}
*Nelson, David Taylor (2012) "Béla Bartók: The Father of Ethnomusicology," Musical Offerings: Vol. 3: No. 2, Article 2. http://digitalcommons.cedarville.edu/musicalofferings/vol3/iss2/2
*{{chú thíchcite journal |last=Poladian |first1=Sirvart |title=Melodic Contour in Traditional Music |journal=Journal of the International Folk Music Council |volume=3 |year=1951 |pages=30–5 |jstor=835769}}
*{{chú thíchcite journal |last=Poladian |first1=Sirvart |title=The Problem of Melodic Variation in Folk Song |journal=The Journal of American Folklore |volume=55 |issue=218 |year=1942 |pages=204–11 |jstor=535862}}
* Rooksby, Rikky, Dr Vic Gammon et al. ''The Folk Handbook''. (2007). Backbeat
* Sharp, Cecil. ''Folk Song: Some Conclusions''. 1907. Charles River Books
* Sharp, Cecil ''English Folk Songs from the Southern Appalachians''. Collected by Cecil J. Sharp. Ed. Maud Karpeles. 1932. London. [[Oxford University Press]].
*{{chú thíchcite journal |last=Warren-Findley |first=Jannelle |year=1980 |title=Journal of a Field Representative: Charles Seeger and Margaret Valiant |journal=Ethnomusicology |volume=24 |issue=2 |pages=169–210 |jstor=851111}}
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